tag:blogger.com,1999:blog-11306216500559259662024-03-05T02:54:13.299-08:00Hand PrintersRuminations on printmaking, prints & drawings from the left coastHand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.comBlogger286125tag:blogger.com,1999:blog-1130621650055925966.post-46638438360300765502016-05-16T11:39:00.000-07:002016-05-16T11:39:18.624-07:00Daniel Curiel's Review of "Wayne Thiebaud: Prints in Process" at the CSULB University Art Museum
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<span style="font-family: Arial,Helvetica,sans-serif;">Wayne Thiebaud Review</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="mso-tab-count: 1;"> </span>Wayne
Thiebaud is a painter and printmaker from the Pop Art era who takes objects
and ideas from popular culture, along with other known artists like Andy Warhol, and inverts them in his
own way.<span style="mso-spacerun: yes;"> </span>Though Wayne Thiebaud and
other Pop artists like Warhol were contemporaries, their work draws very
different visual experiences of often similar inspirations.<span style="mso-spacerun: yes;"> </span>While Warhol sought to flatten objects with
uniformity and a methodical detachment from his work, Thiebaud uses thick
impasto in his paintings as well as different layers in his printing to create
a feeling of depth and personal touch.</span></div>
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</span><div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzhxybZr3Vyyk2uaO-BNpUf0A9D8wNkiXaBF60SzRlG43UJgYf3zkTIgDNVsSQt7IbP7iXKwMDVE3GG2BYB9RRWtBI_VAs6z5DqncN1ke7M5PHTtsmxTIVv8B3SX8sECoV9R0I9Y-2Jjg/s1600/th-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzhxybZr3Vyyk2uaO-BNpUf0A9D8wNkiXaBF60SzRlG43UJgYf3zkTIgDNVsSQt7IbP7iXKwMDVE3GG2BYB9RRWtBI_VAs6z5DqncN1ke7M5PHTtsmxTIVv8B3SX8sECoV9R0I9Y-2Jjg/s1600/th-1.jpg" /></a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="mso-tab-count: 1;"> </span>One piece that illustrates this point is
Thiebaud’s <i style="mso-bidi-font-style: normal;">Dark Cake </i>from 1983.<span style="mso-spacerun: yes;"> </span>Though many have believed otherwise,
this work is actually a woodcut printed with water-based inks rather than
traditional oil-based.<span style="mso-spacerun: yes;"> </span>This gives
the cake the appearance of a moist exterior, almost dripping down to the
plate.<span style="mso-spacerun: yes;"> </span>The cake’s layering of
color and use of color to frame the shadows and edges helps create a strong
three-dimensionality and a painterly feel.<span style="mso-spacerun: yes;"> </span>In contrast, works by Warhol are often screen-printed using
flat plains of color layered in flattening way.<span style="mso-spacerun: yes;"> </span>Warhol and his followers sought to take away the human
element and create a detachment between themselves and their works.<span style="mso-spacerun: yes;"> </span>His workshop was even named “The
Factory.”</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1D-5vFmO_GB1zwwrcw1dejtPoIrxGvSmE8ksmWpYUY-TOHuDF99Q-tBpGPpOJjFiqDQmam55xVAvlDvxKF1j1HcI0818LCcLQ1dDTEDuc29MwAN2TOHs4589AnrmEcdYDOtj1b3FU_9M/s1600/th.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1D-5vFmO_GB1zwwrcw1dejtPoIrxGvSmE8ksmWpYUY-TOHuDF99Q-tBpGPpOJjFiqDQmam55xVAvlDvxKF1j1HcI0818LCcLQ1dDTEDuc29MwAN2TOHs4589AnrmEcdYDOtj1b3FU_9M/s1600/th.jpg" /></a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="mso-tab-count: 1;"> </span>Another
work that highlights this difference is in how the two artists dealt with the
iconic character of Mickey Mouse in their works.<span style="mso-spacerun: yes;"> </span>While Thiebaud painted Mickey Mouse’s head onto one of his
signature cakes with a thick impasto, Warhol made prints of Mickey Mouse with a
cool detachment.<span style="mso-spacerun: yes;"> </span>Thiebaud’s use of
the Mickey character is not surprising since he had worked previously with
Disney in production, but his painting depicts Mickey in a more personalized
way, traditional to the character.<span style="mso-spacerun: yes;">
</span>Warhol rendered Mickey in a flatter way, using blacks and greys to create
a colder, unfeeling character.<span style="mso-spacerun: yes;">
</span>Though he often said his work did not have meaning, the piece can be
read as showing the coldness of the fame “industry” and how the character
itself does not hold any physical substance, it is only an image on the surface
of the canvas.<span style="mso-spacerun: yes;"> </span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOaon0NA1_0QU4bTcUc5rRQXmMRmi0-AkrNc5bknQZ2vXGjiP3IX6N92U0zlGyimatUlGYIVFZmpqHsuQrpk3HW7ZPo9i2wGLRBLQxXDcIw_WRM7P9cTb5NsWcIN2X1_ePcnQz8J_bMgo/s1600/th-2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOaon0NA1_0QU4bTcUc5rRQXmMRmi0-AkrNc5bknQZ2vXGjiP3IX6N92U0zlGyimatUlGYIVFZmpqHsuQrpk3HW7ZPo9i2wGLRBLQxXDcIw_WRM7P9cTb5NsWcIN2X1_ePcnQz8J_bMgo/s1600/th-2.jpg" /> </a></div>
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<span style="font-size: x-small;">This exhibition will continue at the University Art Museum until 5/29/16 </span></div>
<a href="https://www.blogger.com/null" name="_GoBack"></a><br />
Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-41081183340100652612016-05-16T10:40:00.000-07:002016-05-16T10:40:01.944-07:00Daniel Curiel's Review of a Presentation by Henry Klein<style>
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<b>Henry
Klein Presentation Synopsis</b></div>
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<span style="mso-tab-count: 1;"> </span>Henry Klein is a printmaker and art
dealer who represents many printmakers from Eastern Europe.<span style="mso-spacerun: yes;"> </span>He is also a very good story teller and I
found it quite interesting listening to him discuss printmaking during the
turbulence of Eastern Europe and how their approach is different to that seen
in America or Western Europe. </div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs94uSFNUqsTTv62DAEzciYW41A0cgq3gAekh1cJLKo239TWajkZCHF2r9sL-xkxn7sC3_4kwrC2ZiUAXQuFQKW6eEqpHErpYvwq2G4bFQ6l1Dlgp81kHAR5aGNmrc-Sfe7uJ93RUqCCM/s1600/timthumb.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs94uSFNUqsTTv62DAEzciYW41A0cgq3gAekh1cJLKo239TWajkZCHF2r9sL-xkxn7sC3_4kwrC2ZiUAXQuFQKW6eEqpHErpYvwq2G4bFQ6l1Dlgp81kHAR5aGNmrc-Sfe7uJ93RUqCCM/s320/timthumb.jpg" width="250" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jiri Anderle etching</td></tr>
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<span style="mso-tab-count: 1;"> </span>In
listening to Klein discuss art and his experiences, it is clear he has had a unique
and more worldly perspective.<span style="mso-spacerun: yes;"> </span>He was in
the Czech Republic setting up a show during the time of the Velvet Revolution.
The show had to be put off for a year due to these events. When Klein
participated in previous Biennials, he noted that the winners were always from
the Czech Republic. He attributes this to the fact that many Eastern Europeans read
books, and the illustration of books was taken very seriously.<span style="mso-spacerun: yes;"> </span>Czech printmakers would use these
illustrations and their training from such projects to create large pieces that
had an immense amount of detail throughout. </div>
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<span style="mso-tab-count: 1;"> </span>I
also really enjoyed seeing the collection of “funny money” prints by Oldrich Kulhanic. <span id="goog_472981706"></span>The fact that
Klein has one of if not the only full set of these prints was quite
impressive.<span style="mso-spacerun: yes;"> </span>I liked the fact that the
prints themselves were so ornately illustrated, and that they all had their own
subtle criticism …the more you looked and the more Henry Klein explained, the
more appeared.<span style="mso-spacerun: yes;"> </span><span style="mso-tab-count: 1;"> </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioJ0wXnmEaLHiK4kAzztmhR0u2m2wI-91KI4jNMOKIJAs20e55UYw8XbAOBIHZPXl_z-i3UBjedyUIfUrI6_ljRIMdtnAvRloJ0vcmN-wmWhhyphenhyphenLEYIfdk88NypPT1MgIzXzX0aPZRH-OU/s1600/oldrich_kulhanek_05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="172" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioJ0wXnmEaLHiK4kAzztmhR0u2m2wI-91KI4jNMOKIJAs20e55UYw8XbAOBIHZPXl_z-i3UBjedyUIfUrI6_ljRIMdtnAvRloJ0vcmN-wmWhhyphenhyphenLEYIfdk88NypPT1MgIzXzX0aPZRH-OU/s320/oldrich_kulhanek_05.jpg" width="320" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsepW77khDK84VTteE-uGhScsunRL4_75z11ax2iee_LRowbKlS06RXMO1jgrsqP7myYqeHCZ_a4cjOSB_PFTzHNPK9HxXIc36bJw2Qo-kk1Bq-eiqxwb6F6ydhAWhiZNa8bkvf-O_NxQ/s1600/Screen+Shot+2016-05-16+at+10.09.19+AM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="162" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsepW77khDK84VTteE-uGhScsunRL4_75z11ax2iee_LRowbKlS06RXMO1jgrsqP7myYqeHCZ_a4cjOSB_PFTzHNPK9HxXIc36bJw2Qo-kk1Bq-eiqxwb6F6ydhAWhiZNa8bkvf-O_NxQ/s320/Screen+Shot+2016-05-16+at+10.09.19+AM.png" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Oldrich Kulhanic lithographs</td></tr>
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There were also other excellent contemporary
prints.<span style="mso-spacerun: yes;"> </span>Ingrid Ledent is a Belgium printmaker
Klein represents with a more modern style.<span style="mso-spacerun: yes;">
</span>She uses her own body as a measurement of time and does many prints
based around her own body.<span style="mso-spacerun: yes;"> </span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9FyHKgptoAFgRRHeLXyfkcV8l79PPX-Yom8-jrsYw-LtdxM24CJogCPaAZ8Z6IN3skz8Uyx_EO1ASAyOJ8Qp5SPOAdlTaBFZNVrzgm0QeuSk1ypSOKCfC5pSCP8IsWGnHhISgqsTaL7s/s1600/Screen+Shot+2016-05-16+at+10.23.26+AM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="207" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9FyHKgptoAFgRRHeLXyfkcV8l79PPX-Yom8-jrsYw-LtdxM24CJogCPaAZ8Z6IN3skz8Uyx_EO1ASAyOJ8Qp5SPOAdlTaBFZNVrzgm0QeuSk1ypSOKCfC5pSCP8IsWGnHhISgqsTaL7s/s320/Screen+Shot+2016-05-16+at+10.23.26+AM.png" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">print by Ingrid Ledent</td></tr>
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<span style="mso-tab-count: 1;"> My
own personal favorite was titled <i style="mso-bidi-font-style: normal;">The
Parable of Noah</i> by the Russian artist Nikolai Batakov. He spent a
year printing this large work full of detail.<span style="mso-spacerun: yes;">
</span>This work is the style I find intriguing which shows how much detail and
shading is really possible with the medium of etching.</span></div>
<span style="mso-tab-count: 1;">
</span><span style="mso-tab-count: 1;"></span><span style="mso-tab-count: 1;"></span><span style="mso-tab-count: 1;"></span><span style="mso-tab-count: 1;"></span><span style="mso-tab-count: 1;"></span><span style="mso-tab-count: 1;">
</span><br />
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<span style="mso-tab-count: 1;"><span style="mso-tab-count: 1;"> </span>I
would say the event was more than inspiring.<span style="mso-spacerun: yes;">
</span>Not only did it leave me wanting to immediately go incise lines into my
plate, but it contrasted sharply to the feeling of tedium I get when I listen
to presentations about graphic design. I would say that seeing these prints and
what was possible as possibly the straw that broke the camel’s back and made me
decide to switch fields of study.<span style="mso-spacerun: yes;"> </span></span></div>
<span style="mso-tab-count: 1;">
</span><span style="mso-spacerun: yes;"></span><span style="mso-no-proof: yes;"></span><br />
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<i><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;">More information on these artists can be found at Henry Klein's website: www.kleinprint.net</span></span></i></div>
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<span style="mso-tab-count: 1;"> </span></div>
Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-12490575393445650532015-04-30T23:18:00.000-07:002015-05-16T01:10:55.607-07:00A Day With Master Printer Dirk Hagner<div class="separator" style="clear: both; text-align: center;">
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</style> <i>posted by Nancy Young </i><br />
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<span style="font-size: 11.0pt; mso-ascii-font-family: Cambria; mso-hansi-font-family: Cambria;">In October 2011, I had the opportunity to attend
a workshop at the Irvine Fine Arts Center with master printer, Dirk Hagner, who
teaches at Saddleback College. Dirk allowed me to photograph as he printed the final layer of a reduction
woodcut, registering the block for printing, mounting a print and hand rubbing his prints.</span></div>
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{page:WordSection1</style></span><span style="font-size: 11.0pt; mso-ascii-font-family: Cambria; mso-hansi-font-family: Cambria;">He marks his block outside of the printing area and
uses this to register the layers. For each color he does a tracing and lines up
each layer using the same marks.</span><span style="font-size: 11.0pt; mso-ascii-font-family: Cambria; mso-hansi-font-family: Cambria;"></span></div>
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<span style="font-size: 11.0pt; mso-ascii-font-family: Cambria; mso-hansi-font-family: Cambria;">Pine is good for its grain -- pick your wood based on the effect your wood can contribute to the work. Plywood can even be OK, it just depending on the thickness of the
veneer. Hardwood best for precise lines.. Fruit wood, if you can
afford it is hard enough and has very even grain though harder to work
with, and it does not come in larger sizes. Poplar is good. White pine
is available at Home Depot. Select based on the location of
the knots. Bass wood, which is similar to Shina is easy to carve. Lemon wood is
available at McClain’s only in small pieces. </span><span style="font-size: 11.0pt; mso-ascii-font-family: Cambria; mso-hansi-font-family: Cambria;"><span style="font-size: 11.0pt; mso-ascii-font-family: Cambria; mso-hansi-font-family: Cambria;">Dirk does not usually like to print using a
press since wood blocks tend to bow so he usually hand rubs his prints.</span></span></div>
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<span style="font-size: 11.0pt; mso-ascii-font-family: Cambria; mso-hansi-font-family: Cambria;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxAUngXoE2p3tYH9njeahipYGNheGDBdUuxObnmS6CnqDHlHb3UVnrzgUrzoHcV_I0HgxTdjVak5c-mCCDDEhJrMkUHWBrh3hFitRowmz0uX5UlDwu9WlcD4h9KNMubTSQsAnZIQkTsME/s1600/photo+1.JPG" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxAUngXoE2p3tYH9njeahipYGNheGDBdUuxObnmS6CnqDHlHb3UVnrzgUrzoHcV_I0HgxTdjVak5c-mCCDDEhJrMkUHWBrh3hFitRowmz0uX5UlDwu9WlcD4h9KNMubTSQsAnZIQkTsME/s1600/photo+1.JPG" width="320" /></a> </span></div>
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<span style="font-size: 11.0pt; mso-ascii-font-family: Cambria; mso-hansi-font-family: Cambria;">Portraiture is his personal way to pay tribute to his subject. Music as well as Philosophy inspires. Drawings are bsed on photos, then transferred to the block using carbon
paper. He then covers the drawing with Min Vac, a non water based wood stain
which dries quickly so he can see the contrast when he carves. He doesn't use a
water based wash as it warps the wood.</span></div>
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<span style="font-size: 11.0pt; mso-ascii-font-family: Cambria; mso-hansi-font-family: Cambria;">Inks :: Graphic Chemicals – oil based block
print black, or Caligo. Mixes all his colors, only the black does is straight out
of the can. He prefers colors thin to allow the other colors to come through so to
thin the ink he uses Flash Oil #4, and reconditions it throughout the da keeping
extra cans on hand to store any colors mixed. Best not to ink in to the
non printing area – if any gets ink in there wipe it off.</span></div>
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<span style="font-size: 11.0pt; mso-ascii-font-family: Cambria; mso-hansi-font-family: Cambria;">Paper: Japanese Mulberry rice paper, it needs to
have some sizing and long fibers. Japanese Mulberry is much thinner than BFK
Reeves - you need a thinner paper to print by hand; even so you must rub the paper hard
so the paper also needs to be strong.</span></div>
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<span style="font-family: Cambria; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: "MS 明朝"; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast;">How
to tell if there is enough ink on the block, there will be a sheen – and by how it prints.</span>
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<span style="font-size: 11.0pt; mso-ascii-font-family: Cambria; mso-hansi-font-family: Cambria;">When rubbing be sure to give it “all you have”, the paper
is strong. Note – if you use Teflon it will make your paper shiny. It usually
takes three prints each time to get a good print.</span></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
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<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">.</span></div>
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"></span><span style="color: red; font-size: 11.0pt;"></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8V3ZMKchjyIKgFoIO-nBvu5IMv4b7kTNz5A_SWdOWzPoyiwJisel5eTL5NhgeioA0vxgSe0GAhPHTD-018oKQEjVC8FnASZM_EPjTsmliHI95aomiW_kmjfAqyi6c1FgW9VM0-PLovNE/s1600/photo+10.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8V3ZMKchjyIKgFoIO-nBvu5IMv4b7kTNz5A_SWdOWzPoyiwJisel5eTL5NhgeioA0vxgSe0GAhPHTD-018oKQEjVC8FnASZM_EPjTsmliHI95aomiW_kmjfAqyi6c1FgW9VM0-PLovNE/s1600/photo+10.JPG" width="320" /></a></div>
<br />
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<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"><span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Plans all color layers before beginning cutting</span></span><br />
<br />
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"><span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"> </span>Use a heavy item to hold down the paper so it
won’t slip while rubbing.</span><span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"> Rub with the grain</span>
</div>
<div class="MsoNormal">
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">You will see the color come through</span></div>
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Continue to check for any sand grains which could cause the
paper to tear.</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXq6LAcdJhCaUj6wvMcR_Zf53b76VjdKb6xjQBhP08QoMZ5fpeatmUQLnKtH2oJbyGbO5U3Fss9I0_pWpZQEcAN_9d4eDsnMoXuAyE7zq52ujKVkGHiyVaFKUCjBls0JH2GU_7EgWlT6g/s1600/photo+11.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXq6LAcdJhCaUj6wvMcR_Zf53b76VjdKb6xjQBhP08QoMZ5fpeatmUQLnKtH2oJbyGbO5U3Fss9I0_pWpZQEcAN_9d4eDsnMoXuAyE7zq52ujKVkGHiyVaFKUCjBls0JH2GU_7EgWlT6g/s1600/photo+11.JPG" width="320" /></a></div>
<br />
<br />
<br />
<span style="font-size: 11.0pt; mso-ascii-font-family: Cambria; mso-hansi-font-family: Cambria;">Printing: Dirk's editions are usually 15, so he prints
at least 20.</span><br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_qYTl6ybpqbkoWh38RV_vbq3Km0gVSb6KMsNoirkLs26kAygMH_LxudSmkfxBkhCqsMTWdDaGGjiVagigWUwLWKg4l_m12vtiWOb85m9xpCMIcAI1D3GH2hkHNxn874qKU9QTKX8y6fc/s1600/photo+13.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_qYTl6ybpqbkoWh38RV_vbq3Km0gVSb6KMsNoirkLs26kAygMH_LxudSmkfxBkhCqsMTWdDaGGjiVagigWUwLWKg4l_m12vtiWOb85m9xpCMIcAI1D3GH2hkHNxn874qKU9QTKX8y6fc/s1600/photo+13.JPG" width="239" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3oHznvOgeGuSTYL80lINcF7urP-SlnwMPR73TCCC9LxTD86a6wc9CGL0eB9nJAG_Dur3qYlfwD9wOqNswPNuVKg6A0Zahyphenhyphenp-_wNyt_W7tJfnd8mPL46JAOtsD8Lj4IQva8e7JpImzeTc/s1600/photo+15.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3oHznvOgeGuSTYL80lINcF7urP-SlnwMPR73TCCC9LxTD86a6wc9CGL0eB9nJAG_Dur3qYlfwD9wOqNswPNuVKg6A0Zahyphenhyphenp-_wNyt_W7tJfnd8mPL46JAOtsD8Lj4IQva8e7JpImzeTc/s1600/photo+15.JPG" width="320" /></a></div>
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<div class="MsoNormal">
<span style="font-size: 11.0pt; mso-ascii-font-family: Cambria; mso-hansi-font-family: Cambria;"> He uses many undercolors which makes the final layer of black, pop. He uses a 4” Takech medium brayer, inking from various
directions and only inking the area to be printed. Using the registration sticks,
he places the paper on the inked block. </span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5anqu8bXKv_4RWIk9EiApc8Uz4mQNLBwlnt8q5e7O9SD581VOzMZXnauEZCvQQZAMRktRuHPp7oihqCjbgk-P4TAO0EnA7GVJe-bf58kUvZ3xJktKMPAVbFqs90XxdT4Y2Nc8WuOMHZk/s1600/photo+16.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5anqu8bXKv_4RWIk9EiApc8Uz4mQNLBwlnt8q5e7O9SD581VOzMZXnauEZCvQQZAMRktRuHPp7oihqCjbgk-P4TAO0EnA7GVJe-bf58kUvZ3xJktKMPAVbFqs90XxdT4Y2Nc8WuOMHZk/s1600/photo+16.JPG" width="320" /></a></div>
<br />
<span style="font-size: 11.0pt; mso-ascii-font-family: Cambria; mso-hansi-font-family: Cambria;">Hand rub the print with circular motions
as well as straight up and down, using a custom baren that looks kind of like a
</span><span style="font-size: 11.0pt; mso-ascii-font-family: Cambria; mso-hansi-font-family: Cambria;"><span style="font-size: 11.0pt; mso-ascii-font-family: Cambria; mso-hansi-font-family: Cambria;">a 1-1/2” diameter</span> doorknob. You can also hand rub using a wooden spoon. </span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhllmV3y6Hm1tQlpNtXfnRY0JluYudWVKK7z8F_YQzgmC3GN5k4iLJH2yF_Rsp13bcRWwkFgZqj5Biom6PsysSxzBot1_lD4hbU7JrLfDGxp-cs9OPLV0isDm9_bD939LFJ4TUw3HG4YHQ/s1600/photo+17.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhllmV3y6Hm1tQlpNtXfnRY0JluYudWVKK7z8F_YQzgmC3GN5k4iLJH2yF_Rsp13bcRWwkFgZqj5Biom6PsysSxzBot1_lD4hbU7JrLfDGxp-cs9OPLV0isDm9_bD939LFJ4TUw3HG4YHQ/s1600/photo+17.JPG" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4yuMCd_nmNbxcwX6xll-wn6tEAvE7qLT-VREwLvUL02XMWGa-iDYfG_zRJ7yt8eQbymCFhH4lLeVfmipGsEBUUogDpKnk9iIqGLZi0SEeNZrWmvGS_nT7pExI0FVA-mQhZO76yrHx1CQ/s1600/photo+18.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4yuMCd_nmNbxcwX6xll-wn6tEAvE7qLT-VREwLvUL02XMWGa-iDYfG_zRJ7yt8eQbymCFhH4lLeVfmipGsEBUUogDpKnk9iIqGLZi0SEeNZrWmvGS_nT7pExI0FVA-mQhZO76yrHx1CQ/s1600/photo+18.JPG" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcOQzNgiZfgNtCNdOllBKHM8Dhhtay-nHFnqojVPzdprOBD4I-K2mOhHeYnyILCnJXvHE30evzAlOOOAz8K3zWOCsBH8Ajjuh9FMtN1_FKMMjG6Rcf6amWnUnqTYLMEIfxru3cJs6-Pj0/s1600/photo+19.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcOQzNgiZfgNtCNdOllBKHM8Dhhtay-nHFnqojVPzdprOBD4I-K2mOhHeYnyILCnJXvHE30evzAlOOOAz8K3zWOCsBH8Ajjuh9FMtN1_FKMMjG6Rcf6amWnUnqTYLMEIfxru3cJs6-Pj0/s1600/photo+19.JPG" width="239" /></a></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt; mso-ascii-font-family: Cambria; mso-hansi-font-family: Cambria;">Stick registration: Marks on the back of the
paper and matches this mark up and makes a corresponding mark on a stick. Also
marks the block.</span><br />
<br />
<div class="MsoNormal">
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Registering a large piece.</span></div>
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Make a stick/bar. Line up the top of
paper, center mark (though no mark on paper/notched out stick), so clips a stick
on paper using binder clips. Keep stick on for entire process. </span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw-G43EU_LBnB9hWDr1OqAQDsaFM5qF_elxfIuQr2IDtm2e9PYHTzNTtVHqatkWBpclQVYw8F0wRxcWDJRhaROqpnAkAOcggvDtOCXqcPpCzElpn-njmHs2UJHUmo5aeCC1xTObwRNQD4/s1600/photo+20.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw-G43EU_LBnB9hWDr1OqAQDsaFM5qF_elxfIuQr2IDtm2e9PYHTzNTtVHqatkWBpclQVYw8F0wRxcWDJRhaROqpnAkAOcggvDtOCXqcPpCzElpn-njmHs2UJHUmo5aeCC1xTObwRNQD4/s1600/photo+20.JPG" width="239" /></a></div>
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<br /></div>
<div class="MsoNormal">
<br /></div>
<br />
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Rolls paper face
out and lines up stick to bar, then rolls down – keeps from lifting and
laying down.</span><br />
<span style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US; mso-hansi-theme-font: minor-latin;">Prints final black layer, then removes clip</span>
<br />
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<span style="font-size: 11.0pt; mso-ascii-font-family: Cambria; mso-hansi-font-family: Cambria;">He brought out another reduction – a smaller print that will have one
more layer for shirt and not quite black.</span></div>
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<span style="font-size: 11.0pt;">Tools for carving: Dirk uses various
sizes of “U” gouges 1-1/2, 3, 6 mm. He starts with the smallest first, then follows
up with larger</span></div>
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<span style="font-size: 11.0pt;">Inking the block for the final layer</span><br />
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<br />
rubbing rubbing rubbing - can see the wood grain through the mulberry paper<br />
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<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">In some works he cuts the board in
different parts, inks then puts back together using a plywood base to fit/lock
in the pieces.</span></div>
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<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Plan your wood purchase. You can use
bbq brushes to bring out the grain of the wood, enhance the grain.</span></div>
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<br /></div>
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<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"><br /></span></div>
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<br />
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Even large prints are hand rubbed, but are initially run through a press to set.</span><br />
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<br />
The wood grain of the plate is utilized as part of the print.<br />
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Mounting a print<br />
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<br /></div>
<div class="MsoNormal">
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Wet mounts can be reversed(and is archival):</span></div>
<div class="MsoNormal">
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">* Uses Henkle wallpaper paste, Metyln
standard:</span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"><span style="mso-spacerun: yes;"> </span>2 cups water</span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">5 tsp Henkle</span></div>
<div class="MsoNormal">
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">let sit so becomes jelly like – leave
overnight. <span style="mso-spacerun: yes;"> </span>(Check, you may need to add
more Henkle.)</span></div>
<div class="MsoNormal">
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">It can be stored. </span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisFm53lX1qTmSVrUUc3I3Ikef-aO1eLIHqzjeoFCE6NIKA3U1xfNo9KPRfo5zinmr3ZJVLwjESyKLqvKbnGUh-oUzdUVV-oSe_dinVNz9ChCygRTHluGKa61pAE4qnLzAhKgO3TsZQss0/s1600/photo+34.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisFm53lX1qTmSVrUUc3I3Ikef-aO1eLIHqzjeoFCE6NIKA3U1xfNo9KPRfo5zinmr3ZJVLwjESyKLqvKbnGUh-oUzdUVV-oSe_dinVNz9ChCygRTHluGKa61pAE4qnLzAhKgO3TsZQss0/s1600/photo+34.JPG" width="239" /></a></div>
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<div class="MsoNormal">
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Tearing the Japanese paper – difficult
since fibers are long. Determine size, wet the paper using a brush – then tear
using a straight edge or the edge of a table.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9SoE-ZiCg2YhDg4fBzVFIslWmKhd5jcXyyb3UwER25Eg-NGZfroaSX9Z4S9JfNfXkZeZ4yDCMh7g56NlUOGw2vfGNPi4Q8-Ofl06YT6hRql9TT6Niw0jtKaNvJ4qRBrCbiamsRfOpHuo/s1600/photo+35.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9SoE-ZiCg2YhDg4fBzVFIslWmKhd5jcXyyb3UwER25Eg-NGZfroaSX9Z4S9JfNfXkZeZ4yDCMh7g56NlUOGw2vfGNPi4Q8-Ofl06YT6hRql9TT6Niw0jtKaNvJ4qRBrCbiamsRfOpHuo/s1600/photo+35.JPG" width="239" /></a></div>
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<div class="MsoNormal">
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Mounting</span></div>
<div class="MsoNormal">
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Uses gaterboard or plywood – very light
but very stable.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Prep: using paper tape, tapes paper to
gaterboard. Moisten/sprayor if smaller BFK.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Smaller works – print face down on
table, glue apply to back of print with glue applicator. Once you start, don’t
move the pice. BFK line up and place over print using shower crubber to smooth
on. Paper tape BFK with print on to board so won’t buckle.</span></div>
<div class="MsoNormal">
<br /></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFzMlEzwD6wqpehIfwM-K7t1UOGSqamQMT8uMcmjDwfGi5nNfvXHyrNETF3dELu5O9bYxqtesn1iZUzOB6r6BNeWsyWxHsSbI0yEcAoJcBoxm24ztEDoboC-6gjuTsoYjPrhi9q3mMhZ0/s1600/photo+36.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFzMlEzwD6wqpehIfwM-K7t1UOGSqamQMT8uMcmjDwfGi5nNfvXHyrNETF3dELu5O9bYxqtesn1iZUzOB6r6BNeWsyWxHsSbI0yEcAoJcBoxm24ztEDoboC-6gjuTsoYjPrhi9q3mMhZ0/s1600/photo+36.JPG" width="239" /></a></div>
<div class="MsoNormal">
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">BFK on gator board is dry</span></div>
<div class="MsoListParagraphCxSpFirst" style="mso-list: l0 level1 lfo1; text-indent: -.25in;">
<span style="mso-bidi-font-family: Cambria; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: minor-latin;"><span style="mso-list: Ignore;">1)<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">relax paper by squirting with water andy
water based ink preset with Krylong</span></div>
<div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-indent: -.25in;">
<span style="mso-bidi-font-family: Cambria; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: minor-latin;"><span style="mso-list: Ignore;">2)<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">roll it up using a roller</span></div>
<div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-indent: -.25in;">
<span style="mso-bidi-font-family: Cambria; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: minor-latin;"><span style="mso-list: Ignore;">3)<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">apply glue over all</span></div>
<div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-indent: -.25in;">
<span style="mso-bidi-font-family: Cambria; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: minor-latin;"><span style="mso-list: Ignore;">4)<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">roll over using brush (wallpaper brush)</span></div>
<div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-indent: -.25in;">
<span style="mso-bidi-font-family: Cambria; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: minor-latin;"><span style="mso-list: Ignore;">5)<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">glue top</span></div>
<div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-indent: -.25in;">
<span style="mso-bidi-font-family: Cambria; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: minor-latin;"><span style="mso-list: Ignore;">6)<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">newsprint over – smooth with shower
scrubber</span></div>
<div class="MsoListParagraphCxSpLast" style="mso-list: l0 level1 lfo1; text-indent: -.25in;">
<span style="mso-bidi-font-family: Cambria; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: minor-latin;"><span style="mso-list: Ignore;">7)<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">wipe excess glue away from paper</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Ideas: mounting old photos – archivally
on linen</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgu1n2eonmKkq-hZyy7xg4yc0nOHYRWwVmqkmX-tGso_GYa227GGvK1t-GfIOi7-qF1epkAXZ6SSi4ZWaQ-xWBAwmIyHxjpNxS0THiiCjHBHBdsCEhoZIavhq8QnlW6Hhx5fYrDmSAO1Y4/s1600/photo+37.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgu1n2eonmKkq-hZyy7xg4yc0nOHYRWwVmqkmX-tGso_GYa227GGvK1t-GfIOi7-qF1epkAXZ6SSi4ZWaQ-xWBAwmIyHxjpNxS0THiiCjHBHBdsCEhoZIavhq8QnlW6Hhx5fYrDmSAO1Y4/s1600/photo+37.JPG" width="239" /></a></div>
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<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Can reverse mounting by spraying with
water and peeling off.</span></div>
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<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">When can’t be typeset must be relief
etching </span></div>
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<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Printed from back</span></div>
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<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"><br /></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo6KkYfAknWo5F48QUzOuQS3-_McHwHToO5NsJ8O-vZ7qC0wygWTX4BwEwDynpuI8fmvQnms9kec3d9vs2cCdqgVGp4vL_Nf2upY_mIhcwND3xTxnf3igfEn4BMqL52KB2H8gzS2e7WsQ/s1600/photo+39.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo6KkYfAknWo5F48QUzOuQS3-_McHwHToO5NsJ8O-vZ7qC0wygWTX4BwEwDynpuI8fmvQnms9kec3d9vs2cCdqgVGp4vL_Nf2upY_mIhcwND3xTxnf3igfEn4BMqL52KB2H8gzS2e7WsQ/s1600/photo+39.JPG" width="239" /></a></div>
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<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">When asked how to price art?<span style="mso-spacerun: yes;"> </span>He said it's really really hard – gallery usually takes
50%. You can try to figure your price by the hour – it can be a full time job to
just promote yourself.</span><br />
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<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Visit Master Printer Dirk Hagner's website here: <a href="http://www.dirkhagnerstudio.com/">http://www.dirkhagnerstudio.com/</a></span><span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"> </span>Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com1tag:blogger.com,1999:blog-1130621650055925966.post-13418220161159951062015-04-24T16:48:00.001-07:002015-04-24T21:54:52.354-07:00California Printmakers 1950-2000 at the Laguna Art Museum<i>posted by Nancy Young </i><br />
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-</style>California Printmakers 1950-2000 is now showing (February 22 - May 31, 2015) at the Laguna Art Museum and proclaims to include “most
of the leading California artists of the second half of the twentieth century”,
and it does include artists such as Wayne Thiebaud , David Hockney, Richard
Diebenkorn, John Baldessari, Bruce Nauman and Ed Rusha, who though all painters
are not all printmakers. The title card states that “printmaking flourished thanks
to the establishment of workshops where artists could benefit from the
technical know-how and inventiveness of expert printers. The most notable were
Tamarind Lithography Workshop in Los Angeles, founded in 1960; Crown Point
Press in San Francisco, founded in 1962; Gemini G.E.L. in Los Angeles founded
in 1966; and Cirrus Editions, also in Los Angeles, founded in 1970.”</div>
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I am not sure how the works were selected but it seems they are from the Laguna Art Museum’s permanent collection
augmented by some local private collections. The show claims to be a history of
“outstanding” works by California printmakers of the period. The artists
represented included well known painters Wayne Thiebud, Richard Diebenkorn, Ed
Ruscha, Bruce Nauman, John Baldessari, but with a title as broad as “California
Printmakers 1950-2000” the list of printmakers included was somewhat limited. The title touted 50 years of California Printmakers, but the show included many who were famous painters, omitting many outstanding printmakers from 1950-2000. Though it was nice to find items from the artists in the show for sale when when exiting through the gift shop.</div>
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The show is well presented and the inclusion of a glossary
of printmaking terms enhances the experience for those unfamiliar with the
different printmaking processes: <i>what is an edition, what are stages and what
are print shops</i>. The show also attempts to educate viewers on the various types of
printmaking and terminology by providing a glossary for use in the gallery. An observation was that those shown to be published by a press, Tamarind, Crown
Point, Gemini G.E.L., the entire edition was
not printed by the artist, but by the master printers of that print shop.</div>
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My two favorite pieces were actually by those that were made by actual printmakers: <i style="mso-bidi-font-style: normal;">Egon Schiele</i>,
a formidable, life size wood cut by Dirk Hagner and<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Dazzle</i>
a delicate hand colored drypoint by Beth Van Hosen.</div>
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I had the opportunity to see a show at the Norton Simon in
2012, <i style="mso-bidi-font-style: normal;">Proof: The Rise of Printmaking in
Southern California at the Norton Simon </i>which was a much more comprehensive
show so think a more apt subtitle for this show might be “proof-lite”.</div>
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<span style="font-size: 8.0pt;">Egon Schiele, 2004</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 8.0pt;">Dirk Hagner</span></b><span style="font-size: 8.0pt;">
(b. 1953)</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 8.0pt;">Woodcut, from the edition of 15</span></i></div>
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<span style="mso-bidi-font-weight: normal;"><span style="font-size: 8.0pt;"><span style="font-size: 8.0pt;">Rabbit, 1986</span></span></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 8.0pt;"><span style="font-size: 8.0pt;"></span>Ed Ruscha</span></b><span style="font-size: 8.0pt;"> (b.
1937)</span></div>
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<span style="font-size: 8.0pt;">Lithograph, from the edition
of 30, printed and published by the Tamarind Institute, Albuqurque</span></div>
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<span style="font-size: 8.0pt;">Untitled #5 (Stones), 1988</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 8.0pt;">William Brice</span></b><span style="font-size: 8.0pt;">
(1921-2008)</span></div>
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<span style="font-size: 8.0pt;">Etching and aquatint, from the
edition of 25</span></div>
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<span style="font-size: 8.0pt;">Museum (gift of Peter Norton)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSObJP_K-e15Z_pznF9hbB9LlhviDuL3Kp2Nv-ZLcJDeuA-maGG8dzMXpnYcbju8Ny51brJe67LhVB4jsnjIjxAw4CVdFUW8UeYKNLVx5KZQa_aQQvEB2bEMdnbOE46d2s-8jslkzTjx8/s1600/CA_Printmakers_1950-2000_LAM04.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSObJP_K-e15Z_pznF9hbB9LlhviDuL3Kp2Nv-ZLcJDeuA-maGG8dzMXpnYcbju8Ny51brJe67LhVB4jsnjIjxAw4CVdFUW8UeYKNLVx5KZQa_aQQvEB2bEMdnbOE46d2s-8jslkzTjx8/s1600/CA_Printmakers_1950-2000_LAM04.jpg" height="200" width="153" /></a></div>
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<span style="font-size: 8.0pt;">Untitled, 1972</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 8.0pt;">Bruce Nauman </span></b><span style="font-size: 8.0pt;">(b.
1941)</span></div>
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<span style="font-size: 8.0pt;">Drypoint, from the edition of
25, printed and published by Cirrus Editions, Los Angeles</span></div>
<div style="text-align: center;">
<span style="font-size: 8.0pt;"><span style="font-family: Cambria; font-size: 8.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: "MS 明朝"; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">Museum (gift of Ed Moses and Family)</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVyTqxJjfWA5Bb3B28VBSE6Z7nEKMn4KZ2p-zNGi5R6ZfIioWZjTSshlgGpDPoCgkfER9BAasVvV6YLq348ol2GKQWDQIgaqrcGsRsAFGsYbLNd9rHxc8DhGDfYXhLL7MfBphoB-F2LE4/s1600/CA_Printmakers_1950-2000_LAM05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVyTqxJjfWA5Bb3B28VBSE6Z7nEKMn4KZ2p-zNGi5R6ZfIioWZjTSshlgGpDPoCgkfER9BAasVvV6YLq348ol2GKQWDQIgaqrcGsRsAFGsYbLNd9rHxc8DhGDfYXhLL7MfBphoB-F2LE4/s1600/CA_Printmakers_1950-2000_LAM05.jpg" height="176" width="200" /></a></div>
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<span style="font-size: 8.0pt;">Cone, 1995</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 8.0pt;">Wayne Thiebaud</span></b><span style="font-size: 8.0pt;">
(b. 1920)</span></div>
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<span style="font-size: 8.0pt;">Etching, from the edition of
40, printed and pubslished by Crown Point Press, San Francisco, 2011)</span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-size: 8.0pt;">Museum (gift of Rich and
Ariane MacDonald)</span></div>
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<span style="font-size: 8.0pt;">Dazzle, 1985 (detail)</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 8.0pt;">Beth Van Hoesen</span></b><span style="font-size: 8.0pt;">
(1926-2010)</span></div>
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<span style="font-size: 8.0pt;">Drypoint with roulette,
hand-colored in watercolor, from the edition of 35)</span></div>
<div class="MsoNormal">
<span style="font-size: 8.0pt;">Museum (gift of the E. Mark
Adams and Beth Van Hoesen Adams Trust)</span></div>
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<span style="font-size: 8.0pt;">Palm Road, 1965</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 8.0pt;">Wayne Thiebaud</span></b><span style="font-size: 8.0pt;">
(b. 1920)</span></div>
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<span style="font-size: 8.0pt;">Soft –ground etching, second
state, artist’s proof</span></div>
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<span style="font-size: 8.0pt;">Museum (promised gift of the
artis</span></div>
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The <a href="http://lagunaartmuseum.org/">Laguna Art Museum</a> is located at 307 Cliff Dr, Laguna Beach, CA 92651<br />
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<tr><td valign="top"><nobr><span>(949) 494-8971</span></nobr> </td><td valign="top">Open: Monday-Tuesday, Friday-Sunday: 11:00 a.m.-5:00 p.m.<br />
Thursday: 11:00 a.m.-9:00 p.m.<br />
Closed Wednesday</td></tr>
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<br />Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-6440957926869647232014-09-25T17:07:00.000-07:002014-09-25T17:07:15.677-07:00The Way of the Flesh II - Mt. San Antonio CollegeThis exhibition in the Mt. Sac College Art Gallery is open through Oct. 16, and is free of charge, with an accompanying exhibition catalogue written by John Seed. Mt. Sac is located at 1100 North Grand Avenue, in Walnut, CA.<br />
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As one might construe from the title, <i>The Way of Flesh II</i> explores figurative art by contemporary artists, who are for the most part, situated in California. There will be an Artists' Panel on 9/28 in the Art Gallery, Building 1B.<br />
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Participating artists with CSULB ties are Sharon Allicotti, Thomas Butler, Domenic Cretara, and Peter Zokosky. Other artists who also create interesting & often provocative works are Dirk Hagner (also a printmaker), John Nava (who created the designs for the tapestries in Our Lady of the Angels, downtown LA), Odd Nerdrum, and Jerome Witkin. <br />
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Gallery hours are Tuesdays through Thursdays, 11 a.m. to 2 p.m., and Tuesday nights, 5 to 7:30 p.m. For more information, do call the Art Gallery at (909) 274-4328.<br />
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I don't know for a fact that the two drawings below are included in this exhibition, but one gets an idea of the extremely high caliber of work by these artists.<br />
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Sharon Allicotti, Study for <i>Cradled</i>, charcoal drawing, 22 x 30"</div>
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Domenic Cretara, <i>Going Home, </i>2005, graphite & pastel, 59 x 39"</div>
Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-21218422721332035462014-09-14T10:21:00.001-07:002014-09-14T10:21:38.961-07:00"Sight Readings," Pete & Susan Barrett Art Gallery, Santa Monica College <div class="separator" style="clear: both; text-align: center;">
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<span class="Apple-style-span" style="color: #666666;"><b>Photos: Top - Opening Reception</b></span><br />
<span class="Apple-style-span" style="color: #666666;"><b>Center - Outdoor Banner</b></span><br />
<span class="Apple-style-span" style="color: #666666;"><b>Bottom - Inked block for "Pythia" on the press bed</b></span><br />
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A special "Big Up" to Curator Gordon Fuglie for always believing in my work & being the prompt I so often need to keep my tools sharp & my blocks at the ready. His lecture last night was thoughtful & a verbal translation of what I do on paper visually.<br />
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The review below is from the Santa Monica Mirror. The exhibition runs until 10/11/14, & I'm doing a printing demo on Weds., 9/24, from 3 - 4 PM in room 126 of the Art Department on the Main Campus.<br />
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SMC Exhibit "Sight Readings" From Artist Roxanne Sexauer Opens Tuesday</h1>
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POSTED SEP. 1, 2014, 9:17 AM</h2>
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MIRROR STAFF</h4>
<span class="Apple-style-span" style="font-family: SMReg, 'Trebuchet MS', Trebuchet, 'lucida grande', tahoma, arial, sans-serif; font-size: 11px;"><a class="popup" href="http://www.facebook.com/sharer.php?u=http%3A%2F%2Fwww.smmirror.com%2Farticles%2FLife-and-Arts%2FSMC-Exhibit-Sight-Readings-From-Artist-Roxanne-Sexauer-Opens-Tuesday%2F41026" style="color: #0000aa; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: none;"><img src="http://www.smmirror.com/images/3rd_party/facebook.png" style="border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" /></a></span><span class="Apple-style-span" style="font-family: SMReg, 'Trebuchet MS', Trebuchet, 'lucida grande', tahoma, arial, sans-serif; font-size: 11px;"><a class="popup" href="http://twitter.com/home?status=SMC+Exhibit+%22Sight+Readings%22+From+Artist+Roxanne+Sexauer+Opens+Tuesday+http%3A%2F%2Fwww.smmirror.com%2Farticles%2FLife-and-Arts%2FSMC-Exhibit-Sight-Readings-From-Artist-Roxanne-Sexauer-Opens-Tuesday%2F41026" style="color: #0000aa; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: none;"><img src="http://www.smmirror.com/images/3rd_party/twitter.png" style="border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" /></a></span><span class="Apple-style-span" style="font-family: SMReg, 'Trebuchet MS', Trebuchet, 'lucida grande', tahoma, arial, sans-serif; font-size: 11px;"><a href="http://www.smmirror.com/print.php?id=41026" style="color: #0000aa; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: none;"><img src="http://www.smmirror.com/images/3rd_party/print1.gif" style="border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" /></a></span><div style="font-family: Georgia, 'Times New Roman', Times, serif; font-size: 12px; line-height: 24px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
The Santa Monica College Pete & Susan Barrett Art Gallery is presenting “Sight Readings: A 35-Year Survey of Work by Roxanne Sexauer,” an exhibition of original works by the printmaker renowned in the contemporary printmaking community as an artist whose aesthetic of abstraction references nature. Sexauer’s work recognizes a long tradition built in the distinctive qualities and processes of hand-pulled prints.</div>
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The show will be open to the public from Tuesday, Sep. 2, to Saturday, Oct. 11, with an exhibit reception on Saturday, Sep. 13, from 6 p.m. to 8 p.m.</div>
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A gallery talk by exhibit curator Gordon Fuglie, Director/Head of Curatorial Affairs at the Central California Museum of Art, will be held on Saturday, Sep. 13, at 5 p.m. in The Edye (adjacent to the gallery).</div>
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Sexauer, who teaches in the Printmaking and Art History Disciplines, School of Art, at California State University, Long Beach, will hold a print demonstration on Wednesday, Sep. 24, at 3 p.m. in Art 126.</div>
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As a young art student in 1973, Sexauer fantasized about studying with the last surviving German Expressionist woodcut master, Karl Schmidt-Rottluff (1884-1976). Her earliest woodcut prints crackle with the dark angularities of classic German Expressionism.</div>
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By the 1980s, Sexauer embraced postmodernism, developing a hybrid, multi-layered approach that mixes botanical and zoological forms with ideas and images from the history of science, printmaking, and mythology. This direction continues to inform her images, which in recent years combine lithography, silkscreen, and collagraphy.</div>
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“I have seen her imagery progress for two decades,” said Fuglie. “Roxanne’s art is distinctive because it is complex, vibrant, and always recognizable for its adroit use of technique with multiple images bearing layers of meaning. Connoisseurs regard her as one of the best woodcut artists in the region.”</div>
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The show presents the first career survey of Sexauer’s work, beginning with a 1973 self-portrait in the German Expressionist style, and concluding with works completed this past summer.</div>
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SMC’s Pete & Susan Barrett Art Gallery is located at the SMC Performing Arts Center on Santa Monica Boulevard at 11th Street, Santa Monica. Due to construction in progress, enter the building from 11th Street. Exhibits, gallery talks, artist demonstrations, and opening receptions are free.</div>
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Gallery hours are noon to 5 p.m. Tuesday through Friday and 11 a.m. to 4 p.m. Saturday. For more information, call 310.434.3434.</div>
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<br />Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-21082477939946894682014-05-14T10:17:00.001-07:002014-05-14T10:20:58.198-07:00Saddleback College Steamroller Printmaking Event Rolls Out<div class="separator" style="clear: both; text-align: justify;">
<span class="Apple-style-span" style="color: #fce5cd;">A Review byVanessa Donofrio</span></div>
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<span class="Apple-style-span" style="color: #fce5cd;">4/29/14</span></div>
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<span class="Apple-style-span" style="color: #fce5cd;"> <b>Saddleback Steamroller Woodblock Party</b></span></div>
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<span class="Apple-style-span" style="color: #fce5cd;">Held in the Theater Circle at Saddleback College, this printmakers dream is a must and a delight to experience. Every printmaker has got to try it at least once. I guarantee you will be counting the days until the next time the steamroller’s back in town. Vinita Voogd and Rick Reese, the two Saddleback printmaking professors, and their printmaking students hosted this sweet event. The Dean of the Fine Arts and Media Technology, Bart McHenry, was also there to take part in the festivities and carved a mini plate. There were Easy-Ups to shade the students while they rolled ink over their woodblocks. There were also other shady spots for guests to carve out a mini woodblock and have it printed on a turquoise shirt (also the color of the team shirts this year). There was a section set up for printmaking students to sell some of their prints. Vinita, Rick, and some students got to drive the steamroller over these wooden images. BFK, Stonehenge and tapestries were used to print on, with packing blankets and rubber carpet pads used in place of the traditional catcher, cushion, and pusher blankets/felts. These life size wood blocks were cut with a number of different carving tools such as Speedball tools, motorized Dremels, and other woodcutting tools. The Saddleback radio station, KSBR, had this event on the radio and held interviews with students and Vinita. There was a yummy food truck to keep us fed. It was an awesome time. I enjoyed seeing Vinita and Rick and my former classmates from Saddleback again. I was very much inspired by the amazing images and hard work put into them. I can’t wait until next year. Thank you Vinita, Rick, and Saddleback Print students for a fabulous woodblock party!</span></div>
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<br />Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-14043344385736338472014-03-18T10:22:00.002-07:002014-03-18T10:22:56.547-07:00Tea and Morphine: Women in Paris, 1880 to 1914 - at the Hammer<div class="separator" style="clear: both; text-align: center;">
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Tea and Morphine: Women in Paris, 1880 to 1914<span class="Apple-tab-span" style="white-space: pre;"> </span>Helen Cox 2/24/14<br />
At the Hammer, UCLA - The exhibition runs until May 18th, 2014<br />
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This was an impressive exhibit, both for the prints – which included some by Cassatt, Redon, Toulouse-Lautrec, Degas, and Vuillard – and for the information about the plight of women at the beginning of the twentieth century. According to the exhibit catalogue, a woman had no right to vote or to own property. Upon her marriage, any assets she did have became the property of her husband. He could commit adultery with impunity; she could not. Job opportunities for women were few, but they could become prostitutes, since that was legal. It was small wonder that morphine, a derivative from opium, had a fatal attraction for many.<br />
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The images could be divided into three main categories: woman as an evil and seductive influence (femme fatale); woman as domestic and refined; and woman as desperate and distraught. Perhaps the artist who most effectively captured the dilemma of women was Albert Besnard in his twelve etchings depicting women in situations ranging from wealth to poverty, from being in love to being raped, from suffering drug addiction and prostitution to the death of a child. Some might consider his images a bit melodramatic; I found them sobering and powerful.<br />
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The Art Nouveau prints were classic, filled with beautiful, curved, sinuous lines while depicting drug induced states, acid throwing, and shooting up! What a contradiction between the form and the content! <br />
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I chose to include an image from Albert Besnard, <i>Suicide</i>, because I appreciate his use of positive and negative space. The white of the snow forms a strong diagonal across the composition, a sharp form that echoes the despair of the woman. She blends into the dark and the darkness of her pain, an unseen form easily ignored by the passing coach. The lights of the city sparkle in the background; that such beauty and agony coexist is one of the fundamental contradictions in life. The use of the vertical lines in the etching reinforces the sense of snow and cold, and her plunge into the river below.<br />
Many of the better prints demonstrated an interesting arrangement of positive and negative shapes. There were a few faded images that did not look resolved. Most were etchings and lithographs, with an occasional woodblock or linoleum cut. <br />
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It is a bit of a drive to get to the Hammer, but the exhibit was well worth it. There is also an excellent collection of paintings in the next room, including Daumier, Van Gogh, Vuillard, and Rembrandt. If you go on the weekend parking is only $3.00 and you are close to the Getty. Go with a friend and the carpool lane gets you home in decent time if you leave by 3:30 p.m. <br />
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Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-43090602634272140792014-02-11T08:12:00.000-08:002014-02-11T08:16:06.372-08:00Exhibition at the UAM on the CSULB campus - A review of "Traditions Transfigured: The Noh Masks of Bidou Yamaguchi" by Helen Cox<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;">The author of this post</td></tr>
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<b>Thoughts on <i>Traditions Transfigured: The Noh Masks of Bidou Yamaguchi</i></b></h2>
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Review by Helen Cox, January 28, 2014</h3>
I knew nothing of Noh Masks when I went to the gallery, so I read the signs. I was struck by the goal of the masks: “incremental innovation within tradition.” By allowing innovation, there is room for creation and evolving art forms, instead of the emptiness and stagnation in repetition.<br />
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The craftsmanship in the masks is superb. Innovations are left for the creative aspects; there are strict rules for the craft. Apparently the use of sandpaper is considered cheating, so the artists who carve these very smooth masks have to be highly skilled and patient. Their skills extend to painting. Each strand of hair must be painted with one brush stroke so the thickness of the hair does not change, as it would if the brush were lifted and then replaced. I can imagine the hours of practice required! After all that careful work, the masks are then stressed with a brush and a secret formula, to make them look old.<br />
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First on display is Yamaguchi’s skill in the traditional art form. Then, the artist became interested in transforming two-dimensional Japanese images into three-dimensional masks. Not only did he apply the Noh mask craft to something new, but he demonstrated innovation within the construction of the mask, employing a modern interpretation to facial features. For example, the nose on the Sharaku print mask is bent to the side, as it was drawn in the three-quarter view of the print. The mouths of the women end half-way across the face. This distortion is meaningful, not random. When viewed from a particular perspective, the mask looks identical to the print or painting.<br />
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<tr><td class="tr-caption" style="text-align: center;">This woodcut Actor Print is on display with masks, Sharaku, Japan, Oban size, circa 1794</td></tr>
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In his third stage, Yamaguchi transformed female icons from European art into Noh masks. He hit all the big ones: DaVinci, Vermeer, Velasquez, Münch, Botticelli, etc. His recreation of the Mona Lisa was spectacular. I enjoyed the mask more than I enjoyed the original painting (seen ten feet away, through glass and surrounded by idiots with their phone cameras who did not even look at the painting). He brought back the element in the Mona Lisa that got art historians so excited about the image, before it became a cliché of itself.<br />
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When he created the European art, he even matched the brush strokes to those in the paintings, and of course he aged them in proper Noh tradition. Some of his innovations were not as successful. He missed the delicate sensuality of the lips in the Vermeer portrait and made them too red and sloppy, as though her lipstick smeared. Her tongue is grotesque. Maria Teresa (Velasquez) had a more bulbous nose and her lips were not quite so turned up; in the mask, she was given a “nose job” which took away some of her personality. Overall, however, the masks were fantastic, alive, and beautiful. It was a wonderful way to re-experience images that have become overly familiar.<br />
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<i><span class="Apple-style-span" style="color: #ea9999;">Note from RS - This notable exhibition will be on display at the UAM until April 13th & was curated under the guidance of Professor Kendall Brown (Interim Director of the Museum Studies Program) by Art History graduate students Karenina Karyodi, Lauren Nochalla, Kristy Odett & Ariana Rizo. A published catalogue accompanies the exhibition & is on sale at the University Art Museum. </span></i></h4>
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<br />Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-58928399079833918212013-10-08T06:57:00.001-07:002013-10-08T07:43:31.034-07:00Los Angeles 2013 Printers Fair<div class="MsoNormal">
Despite the heat there was a big turnout, Saturday, October
5 for the <b>5<sup>th</sup> Annual Los Angeles Printers Fair.</b><span style="mso-spacerun: yes;"> </span>According to the program the event is the
largest letterpress event of its kind in the US.</div>
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Kevin Bradley of <i>Church of Type</i> was the guest artist of the
fair and demonstrated on a Vandercook Press.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwqeu1orNgyOGfpTUeEjSnQMUtgeiS6H4b5hhR6PCHLLnqA12HimFt3GOIcST2rq1taYtmnF8aUjWTjLux_CYgDOVLHb79anMuooWv6AY7FHNUJOOeIFXph3cVrzb_nl2nAADgT6EMdIo/s1600/PrintersFair2013_Camilla_Erynn.JPG" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwqeu1orNgyOGfpTUeEjSnQMUtgeiS6H4b5hhR6PCHLLnqA12HimFt3GOIcST2rq1taYtmnF8aUjWTjLux_CYgDOVLHb79anMuooWv6AY7FHNUJOOeIFXph3cVrzb_nl2nAADgT6EMdIo/s320/PrintersFair2013_Camilla_Erynn.JPG" width="239" /></a>I stopped at CSULB MFA Alumni <b>Camilla Taylor</b> (<a href="http://www.camilla-taylor.com/">http://www.camilla-taylor.com</a> ) and
<b>Erynn Richardson</b>‘s (<a href="http://www.erynnrichardson.com/">http://www.erynnrichardson.com</a><span style="mso-spacerun: yes;"> </span>) booth<span style="mso-spacerun: yes;">
</span>specializing in <i>quality handmade and printed ephemera </i>– and came away
with some of Camilla’s very cool bumble bee wing earrings.<span style="mso-spacerun: yes;"> </span><br />
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On a side note…..if you have time it is well worth checking out Camilla’s blog
on cutting linoleum scraps<span style="mso-spacerun: yes;">.... </span><a href="http://horsefleshproductions.blogspot.com/2012/07/catman-print-from-linoleum-scraps.html">http://horsefleshproductions.blogspot.com/2012/07/catman-print-from-linoleum-scraps.html</a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1JLrX-ekPs7vYSrC6epizScg96_9RFBmx0U3on-ZGtQ-r0LhUHCGL9l7i6BvUI8T9j2pN_tNhsictLw9g0s7pMyfMMf97dI1c4IYW3fgFGSKDLXdA-FnUkyn3jHjKzQGzJS4SVZnl-Zo/s1600/PrintersFair2013_AlexFridrichAG.JPG" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1JLrX-ekPs7vYSrC6epizScg96_9RFBmx0U3on-ZGtQ-r0LhUHCGL9l7i6BvUI8T9j2pN_tNhsictLw9g0s7pMyfMMf97dI1c4IYW3fgFGSKDLXdA-FnUkyn3jHjKzQGzJS4SVZnl-Zo/s320/PrintersFair2013_AlexFridrichAG.JPG" width="239" /></a>But back to the fair -- also<span style="mso-spacerun: yes;">
</span>among the many exhibitors was another CSULB BFA graduate, <b>Alex</b> <b>Fridrich</b>,
representing <b>Angels Gate Cultural Center </b>(<a href="http://www.angelsgateart.org/">http://www.angelsgateart.org/</a>).<span style="mso-spacerun: yes;"> </span>Angels Gate in San Pedro is a fully
equipped printmaking studio for intaglio, relief, monotype and silkscreen
printing.<br />
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The International Museum of Printing<span style="mso-spacerun: yes;"> </span>which celebrates its 25<sup>th</sup>
anniversary this year is located at 315 W Torrance Blvd, Carson, CA 90745
310-515-7166 and is open throughout the year.<span style="mso-spacerun: yes;"> </span><a href="http://www.printmuseum.org/">http://www.printmuseum.org</a></div>
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Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-76075865824223695182013-10-02T17:28:00.000-07:002013-10-02T17:28:15.855-07:00Rethinking the Multiple, An Exhibition at Occidental College<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi256VEZbXPEBLsxdEzCvewe-oIG5yAobJwfgeUt215f552q07SUVjmclUZmZIYKlRZaCE5qv894bnKThh0T2u7q1Tjk117ZD8McZBgJ2SRdGpwsMtLpplMTSjfjmifd-tEW43PjO_g6SI/s1600/Unknown-1.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi256VEZbXPEBLsxdEzCvewe-oIG5yAobJwfgeUt215f552q07SUVjmclUZmZIYKlRZaCE5qv894bnKThh0T2u7q1Tjk117ZD8McZBgJ2SRdGpwsMtLpplMTSjfjmifd-tEW43PjO_g6SI/s320/Unknown-1.png" width="207" /></a></div>
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This sure-to-be-spectacular exhibition opens in Los Angeles' Weingart Gallery on the campus of Occidental College, Wednesday 10/9. From 5 - 8 PM, there will be an installation performance provided by Paul Mullowney, one of the artists whose work is being displayed. (I'm assuming both the seriously long toes, and the image they stand upon belong to him.)<br />
The other three artists are also exceptionally quite fine - Lynne Allen teaches printmaking at Rutgers University in New Jersey, and uses non-traditional materials to create prints that investigate her Native American heritage.<br />
Phyllis McGibbon, another East Coast denizen, holds forth on the same subject at Wellesley College in Massachusetts, and is a fellow Dürer enthusiast. Her visual work is largely concerned with how printed images manage to "dis"locate and time travel between artists, physical locations, and cultures. (Sounds like the theme of every one of my three hour lectures...) The gleaming baton below, while appearing to be machine tooled, is a rolled copper plate with an image of Dürer's etched into it. The piece glitters on so very many varied levels.<br />
Fred Hagstrom teaches at Carleton College in the great white north of Minnesota. His artist's statement ends with these two lovely lines - "I want to see the art world become more concerned with passionately held beliefs and beauty, and less concerned with irony or market based strategies. I believe that art should be a part of people's lives, and that it has the power to change the way we view the world."<br />
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Directions may be located by visiting: http://www.oxy.edu/page/maps-directions<br />
Should you find yourself at that venue, do let Linda Lyke know that I send my regards.Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-10696459825860929272013-10-01T15:08:00.001-07:002013-10-06T21:09:48.874-07:00<span class="Apple-style-span" style="color: #cccccc; font-size: x-large;"><b>Soma and Breath: Work by Tim Musso and Camilla Taylor</b></span><br />
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<span class="Apple-style-span" style="color: #cccccc;"><b>OPENING RECEPTION</b> October 3, Thursday 6pm</span><br />
<span class="Apple-style-span" style="color: #cccccc;"><b>EXHIBITION DATES</b> October 3 – October 29, 2013</span><span class="Apple-style-span" style="color: #cccccc;"><b><br /></b></span>
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<b><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; font-weight: normal; line-height: 16px;"><span class="Apple-style-span" style="color: #cccccc;">"A two person show at the art gallery of Cal Baptist University in Riverside, CA, featuring the artwork of </span><span class="Apple-style-span" style="color: white;"><i><a href="http://camilla-taylor.com/"><span class="Apple-style-span" style="color: white;">Camilla Taylor</span></a> </i></span></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; font-weight: normal; line-height: 16px;"><span class="Apple-style-span" style="color: #cccccc;">and<i> </i></span><a href="http://timmusso.com/"><span class="Apple-style-span" style="color: white;"><i>Tim Musso</i></span></a><span class="Apple-style-span" style="color: #cccccc;">. Coinciding with the Riverside Artwalk."</span><br /><br /><span class="Apple-style-span" style="color: #cccccc;">Both Camilla Taylor and Tim Musso are CSULB alumni, whose main medium is printmaking. When you hear a word 'printmaking' and only think of a nice little image on a small piece of paper, I can assure you that you will probably be caught off guard by those two artists. I will dare not to describe too much about them, but if you are planning on not experiencing their works in person, all I want to tell you is that you might be missing something incredibly amazing.</span></span></b><br />
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<b><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 16px;"><br /><span class="Apple-style-span" style="font-size: x-small;">CBU GALLERY</span><br /><span class="Apple-style-span" style="font-size: x-small; font-weight: normal;">3737 Main Street Riverside</span><br /><span class="Apple-style-span" style="font-size: x-small; font-weight: normal;">Suite 101</span></span></b></span><br />
<span class="Apple-style-span" style="color: #cccccc;"><b><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 16px;"><span class="Apple-style-span" style="font-size: x-small; font-weight: normal;"><br /></span></span></b></span>
<b><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 16px;"><span class="Apple-style-span" style="color: white; font-size: x-small; font-weight: normal;"><u>https://www.facebook.com/events/709481519066324</u></span></span></b><br />
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<span class="Apple-style-span" style="color: #cccccc; font-size: x-small;"><i>Untitled II</i>, Tim Musso</span></div>
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<span class="Apple-style-span" style="color: #cccccc; font-size: x-small;"><i>Homage to Ernst Haeckel</i>, Tim Musso</span></div>
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<span class="Apple-style-span" style="color: #cccccc; font-size: x-small;"><i>The Crowd (Installation View)</i>, Camilla Taylor</span></div>
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<span class="Apple-style-span" style="color: #cccccc; font-size: x-small;"><i>The Crowd I</i>, Camilla Taylor</span></div>
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<b><span class="Apple-style-span" style="border-collapse: collapse; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; font-weight: normal; line-height: 16px;"><a href="https://www.facebook.com/events/709481519066324">https://www.facebook.com/events/709481519066324</a></span></b>
Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-747215971795662482013-09-23T10:06:00.000-07:002013-10-06T21:10:13.643-07:00<div style="color: #eeeeee;">
<span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 16px;"><span class="Apple-style-span" style="font-size: x-large;">NEWTON'S THIRD: A Karmic Interpretation</span></span></div>
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<span class="Apple-style-span" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: large;"><span class="Apple-style-span" style="border-collapse: collapse; line-height: 16px;"><b>Opening Reception</b> Oct 12, 2013 7–10PM</span></span></div>
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<span class="Apple-style-span" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: large;"><span class="Apple-style-span" style="border-collapse: collapse; line-height: 16px;">Oct 12–Oct 26, 2013</span></span></div>
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<span class="Apple-style-span" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: large;"><span class="Apple-style-span" style="border-collapse: collapse; line-height: 16px;"><br /></span></span>
<span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 16px;"><span class="Apple-style-span" style="font-size: 13px;">This is a big group exhibition with works inspired by "duality, connectivity, and universal balance". Many of the featured artists are CSULB alumni, some MFA printmaking, MFA/BFA illustration, etc.</span></span></div>
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<span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">F+ Gallery</span></div>
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<span class="Apple-style-span" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 17px;">661 Poinsettia St., Santa Ana, California 92701</span></div>
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<span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 16px;"><br /><b>Curator</b><span class="Apple-style-span" style="font-size: x-small;"> </span></span></div>
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<span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">Jennie Cotterill</span></div>
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<span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 16px;"><b>Artists</b></span></div>
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<span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">Aaron Brown</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"> | Alex Gardner</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"> </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">| Autumn Buck</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"> | Camilla Taylor</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"> | Catherine Yi</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"> | </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">Chanta deFelice</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"> | Corrie</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"> </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">Walton</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"> | C.R. 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Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-18718923895479657522013-09-21T21:19:00.001-07:002013-09-22T09:21:04.623-07:00<div class="separator" style="clear: both; text-align: center;">
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<i>Give Up </i></h2>
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An exhibition of Carleton Christy's evocative drawings and sculptures is currently on view at Whittier College's Greenleaf Gallery. The show runs until 10/11. Hours for the gallery are from 9:30 - 5:00 PM. It is located at 13406 Philadelphia Street in Whittier CA.</h3>
Carleton received his MFA in our Printmaking Area and prior to studying at CSULB, studied with renowned artist Wayne Kimball (lithographer extraordinaire) at Brigham Young University in Utah. His work in the exhibition incorporates text & visually explores the concept of what it means to "give up."Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-22253651260588303522013-09-18T10:39:00.000-07:002013-10-06T21:10:25.693-07:00<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; line-height: 15px;"></span><br />
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Moments Unchained: Painting and Drawings by Yu Ji</h1>
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<span class="Apple-style-span" style="font-size: large;">Sept 8–Oct 31</span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: 12px; line-height: 15px;">Yu Ji, our life drawing and painting professor at CSULB, is currently exhibiting at Founders Hall Art Gallery of Soka University. His works take very figurative approach to explore contemporary urban life through the media of painting and drawing.</span><br />
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<span class="Apple-style-span" style="font-family: Arial; font-size: 12px; line-height: 20px;"><i><span class="Apple-style-span" style="color: #cccccc;">"He was influenced by both contemporary American figurative painters and several New York formalist artists whose teaching challenged him to deepen his understanding of pictorial expression and establish an open perspective for professional studio practice."</span></i></span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="font-size: 12px; line-height: 15px;">Visit <a href="http://www.soka.edu/news_events/events/2013/10/art-moments-unchained--opening-reception-for-yu-ji.aspx">here</a> for more info.</span></span></div>
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Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-69500499575202489002013-09-17T10:52:00.000-07:002013-09-21T21:29:46.820-07:00<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: x-large;">Ink & Clay 2013</span><br />
<span style="font-size: large;">Presented by W. Keith & Janet Kellogg University Art Gallery</span><br />
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<span style="font-size: large;">September 14 – October 26, 2013</span><br />
<span style="font-size: small;">Opening Reception: September 21, 3–6pm</span><br />
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<i>"Established in 1971, Ink & Clay is an annual competition of printmaking, drawing, ceramic ware, clay sculpture and mixed-media utilizing any variety of “ink” or “clay” as a material... <b>For the fist time, Ink & Clay shall be open to artists working in all 50 United States of America, officially making this a National Competition! </b>"</i><br />
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I am very excited to announce that our fellow CSULB students, 'Dusty' Taylor Guerra, Marcus Thibodeau and Associate Professor Kimiko Miyoshi are featured in this exhibition. In addition, Dusty has been chosen as an award recipient this year! Vince Palacios, who also was one of Professor R. Sexauer's relief printmaking students, is also featured in the exhibition, no doubt with some fabulous ceramic work. I hope everyone can take their time, see their artistic expressions in person, and be inspired by this wonderful opportunity.<br />
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<span style="font-size: x-small;"><b>W. Keith and Janet Kellogg University Art Gallery</b><br />
California State Polytechnic University, Pomona<br />
3801 West Temple Ave.<br />
Pomona, CA 91768 </span><br />
<i><span style="font-size: x-small;">Gallery Number: (909)-869-4302 </span></i><br />
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Here are some samples of the artists' works!<br />
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<span style="font-size: x-small;"> Work by Dusty Taylor Guerra</span>, '<span style="font-size: x-small;"><i>Pepiño</i></span>'</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQRpIzV7OBfudllQlm3y41ydNvYt6sEXo-47MppbRDiW4Dle1BYHXsn9kI__UebQQDNqWkR3vpmXp3v3i-fkHVM52VJrvP4Wx9B4fQV5rCAsTqbiWHBfkee1Na_SaDpoQcYTNmfl2buD0/s1600/pic_9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="245" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQRpIzV7OBfudllQlm3y41ydNvYt6sEXo-47MppbRDiW4Dle1BYHXsn9kI__UebQQDNqWkR3vpmXp3v3i-fkHVM52VJrvP4Wx9B4fQV5rCAsTqbiWHBfkee1Na_SaDpoQcYTNmfl2buD0/s320/pic_9.jpg" width="320" /></a></div>
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<span style="font-size: x-small;"> Work by Marcus Thibodeau, '<i>Perso la Lettera D´amore</i></span><span style="font-size: x-small;">'</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_BvC8zyZ6CLC8D5A3f6BC0h9Nclwdj0_TtwTdCvIVmFuKk6TFNQjpa0SbbuBxOzAIfExynFq8pZOA2EEtLxBg-F8q5tpLf2RYlJ5_KmLVqxNciNbnbYflb9SrJLgfc6Dduo5iVelVZ1c/s1600/d4cda0dd4a215e56-map1dtlweb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_BvC8zyZ6CLC8D5A3f6BC0h9Nclwdj0_TtwTdCvIVmFuKk6TFNQjpa0SbbuBxOzAIfExynFq8pZOA2EEtLxBg-F8q5tpLf2RYlJ5_KmLVqxNciNbnbYflb9SrJLgfc6Dduo5iVelVZ1c/s320/d4cda0dd4a215e56-map1dtlweb.jpg" width="320" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNYK5EhkwhQZc44ciO4ZzheZrdpgdttb9iruOAMnWNTjHjAEXHJ-jK5FK8PUXjdBr7TEhS6vcf7S3R-_bPBoRbKBXnRnXqLqnpRGcW5VjZ8ex0jOjNSR9C-iXU-B6kuk8fBoeWAwxbjYY/s1600/3076ce2eb284da0f-canal1detailweb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNYK5EhkwhQZc44ciO4ZzheZrdpgdttb9iruOAMnWNTjHjAEXHJ-jK5FK8PUXjdBr7TEhS6vcf7S3R-_bPBoRbKBXnRnXqLqnpRGcW5VjZ8ex0jOjNSR9C-iXU-B6kuk8fBoeWAwxbjYY/s320/3076ce2eb284da0f-canal1detailweb.jpg" width="320" /></a></div>
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<span style="font-size: x-small;">Works by Kimiko Miyoshi, '<i>horror vacui: map 1</i></span><span style="font-size: x-small;">'(top), </span><span style="font-size: x-small;"> '<i>canal 1</i></span><span style="font-size: x-small;">'(bottom)</span></div>
Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com1tag:blogger.com,1999:blog-1130621650055925966.post-85962962591181780332013-09-13T08:41:00.000-07:002013-09-14T13:11:28.917-07:00<span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="background-color: black; font-family: nimbus-sans-n7, nimbus-sans, sans-serif; font-size: 16px; font-weight: 300; line-height: 16px;"></span><br /></span>
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<h1 style="box-sizing: border-box; direction: ltr; font-family: nimbus-sans-n7, nimbus-sans, sans-serif; font-size: 32px; font-style: normal; font-weight: 300; line-height: 1.1; margin-bottom: 14px; margin-left: 0px; margin-right: 0px; margin-top: 14px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-rendering: optimizelegibility;">
<span class="Apple-style-span" style="color: #cccccc;">Exhibition by Christi Jay & Cheryl Louise Humphreys, 'Bring Into Being'</span></h1>
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<span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-family: nimbus-sans-n7, nimbus-sans, sans-serif; font-size: 20px; font-weight: 300; line-height: 20px;">September 6th, 2013 - October 11th, 2013</span></span></div>
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<span class="Apple-style-span" style="color: #cccccc; font-family: nimbus-sans-n7, nimbus-sans, sans-serif; font-weight: 300; line-height: 20px;">*Gallery Hours by appointment.</span></div>
<span class="Apple-style-span" style="font-family: nimbus-sans-n7, nimbus-sans, sans-serif; font-size: 14px; font-weight: 300; line-height: 19px;"><span class="Apple-style-span" style="color: #cccccc;"><br /></span></span>
<span class="Apple-style-span" style="font-family: nimbus-sans-n7, nimbus-sans, sans-serif; font-size: 14px; font-weight: 300; line-height: 19px;"><span class="Apple-style-span" style="color: #cccccc;">This is a two-person show by Christi Jay and Cheryl Louise Humphreys. The exhibition features Cheryl Humphreys' prints, and Jay's sculptures and textile pieces. Humphreys' prints are called 'blind embossings' (some combined with monotype) — where plates or objects are printed through a press without being inked up. </span></span><span class="Apple-style-span" style="color: #cccccc; font-family: nimbus-sans-n7, nimbus-sans, sans-serif; font-size: 14px; font-weight: 300; line-height: 19px;">Visit http://thepopstudio.com/gallery/show/bring-into-being/ for more info. </span><br />
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<span class="Apple-style-span" style="font-family: nimbus-sans-n7, nimbus-sans, sans-serif; font-size: 14px; font-weight: 300; line-height: 19px;"><span class="Apple-style-span" style="color: #cccccc;"><br /></span></span></div>
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<span class="Apple-style-span" style="font-family: nimbus-sans-n7, nimbus-sans, sans-serif; font-size: 14px; font-weight: 300; line-height: 19px;"><span class="Apple-style-span" style="color: #cccccc;">Cheryl Louise Humphreys' blog:</span></span></div>
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<span class="Apple-style-span" style="font-family: nimbus-sans-n7, nimbus-sans, sans-serif; font-size: 14px; font-weight: 300; line-height: 19px;"><span class="Apple-style-span" style="color: #cccccc;">http://cheryllouisehumphreys.tumblr.com/ </span></span><br />
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<span class="Apple-style-span" style="font-family: nimbus-sans-n7, nimbus-sans, sans-serif; font-size: 14px; font-weight: 300; line-height: 19px;"><span class="Apple-style-span" style="color: #cccccc;"><br /></span></span></div>
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<i><span class="Apple-style-span" style="font-family: nimbus-sans-n7, nimbus-sans, sans-serif; font-size: 14px; font-weight: 300; line-height: 19px;"><span class="Apple-style-span" style="color: #cccccc;">"Through the exploration of surrendering control to their mediums, Christi Jay & Cheryl Louise Humphreys come together as a single force for <span style="box-sizing: border-box; line-height: inherit;">Bring Into Being</span></span></span><span class="Apple-style-span" style="font-family: nimbus-sans-n7, nimbus-sans, sans-serif; font-size: 14px; font-weight: 300; line-height: 19px;"><span class="Apple-style-span" style="color: #cccccc;">... </span></span><span class="Apple-style-span" style="font-family: nimbus-sans-n7, nimbus-sans, sans-serif; font-size: 16px; font-weight: 300; line-height: 16px;"></span><span class="Apple-style-span" style="font-family: nimbus-sans-n7, nimbus-sans, sans-serif; font-size: 14px; font-weight: 300; line-height: 19px;"><span class="Apple-style-span" style="color: #cccccc;">Just as everything in the natural world does, their works and process have both yin and yang aspects, for instance shadow cannot exist without light, surrender cannot exist without control." (excerpt from the gallery website)</span></span></i><br />
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<span class="Apple-style-span" style="font-family: nimbus-sans-n7, nimbus-sans, sans-serif; line-height: 20px;"><span class="Apple-style-span" style="color: #cccccc;"><b>Pop Gallery</b></span></span></div>
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<span class="Apple-style-span" style="font-family: nimbus-sans-n7, nimbus-sans, sans-serif; font-weight: 300; line-height: 20px;"><span class="Apple-style-span" style="font-size: 15px; line-height: 18px;"><span class="Apple-style-span" style="color: #cccccc;">3505 Helms Ave.<br style="box-sizing: border-box;" />Culver City, CA 90232<br style="box-sizing: border-box;" />Tel.1.310.558.2080</span></span></span></div>
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</span><span class="Apple-style-span" style="color: #cccccc; font-family: nimbus-sans-n7, nimbus-sans, sans-serif; font-weight: 300; line-height: 20px;"><span class="Apple-style-span" style="font-size: x-small;">*Images taken from Humphreys' blog.</span></span></div>
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Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-4830486837176836292013-09-11T12:36:00.000-07:002013-09-11T12:36:07.561-07:00<span class="Apple-style-span" style="color: #cccccc; font-size: x-large;">SALON: small works on paper</span><br />
<span class="Apple-style-span" style="color: #cccccc;"><b>Opening Reception</b> September 14, 2013 7–9pm</span><br />
<span class="Apple-style-span" style="color: #cccccc;">September 14 – October 9</span><br />
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<span class="Apple-style-span" style="border-collapse: collapse; color: #cccccc; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">A Group Show Featuring works by:</span><span class="Apple-style-span" style="border-collapse: collapse; color: #cccccc; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><br /></span><span class="Apple-style-span" style="border-collapse: collapse; color: #cccccc; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><a href="http://www.markallen.com/art/"><span class="Apple-style-span" style="color: white;">Mark Allen</span></a><span class="Apple-style-span" style="color: #cccccc;"> |</span><span class="Apple-style-span" style="color: white;"> </span></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><a href="http://courtneyarwin.com/"><span class="Apple-style-span" style="color: white;">Courtney Arwin</span></a><span class="Apple-style-span" style="color: #cccccc;"> | </span></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><a href="http://www.nadfly.com/"><span class="Apple-style-span" style="color: white;">Nicola Atkinson/nadfly</span></a><span class="Apple-style-span" style="color: #cccccc;"> | </span></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><a href="http://www.jamesboltonart.com/"><span class="Apple-style-span" style="color: white;">James Boulton</span></a><span class="Apple-style-span" style="color: #cccccc;"> | </span></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><span class="Apple-style-span" style="color: white;"><a href="http://www.nathandanilowicz.com/homepage.html"><span class="Apple-style-span" style="color: white;">Nathan Danilowicz</span></a> </span></span><span class="Apple-style-span" style="border-collapse: collapse; color: #cccccc; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">| </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><a href="http://www.amandagordondunn.com/"><span class="Apple-style-span" style="color: white;">Amanda Gordon Dunn</span></a><span class="Apple-style-span" style="color: #cccccc;"> | </span></span><span class="Apple-style-span" style="border-collapse: collapse; color: #cccccc; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">Shea M. Gauer | </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><a href="http://www.karolyngehrig.com/"><span class="Apple-style-span" style="color: white;">Karolyn Gehrig</span></a><span class="Apple-style-span" style="color: #cccccc;"> | </span></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><a href="http://www.johnkannenberg.com/"><span class="Apple-style-span" style="color: white;">John Kannenberg</span></a><span class="Apple-style-span" style="color: #cccccc;"> | </span></span><span class="Apple-style-span" style="border-collapse: collapse; color: #cccccc; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">Caleb Jones Lyons | </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><a href="http://lucasmurgida.com/"><span class="Apple-style-span" style="color: white;">Lucas Murgida</span></a><span class="Apple-style-span" style="color: #cccccc;"> | </span></span><span class="Apple-style-span" style="border-collapse: collapse; color: #cccccc; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">Dave Paco | </span><span class="Apple-style-span" style="border-collapse: collapse; color: #cccccc; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">Jeremy Rocine</span><span class="Apple-style-span" style="border-collapse: collapse; color: #cccccc; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"> | </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><span class="Apple-style-span" style="color: white;"><a href="http://www.justinschaeferart.com/"><span class="Apple-style-span" style="color: white;">Justin Schaefer</span></a> </span></span><span class="Apple-style-span" style="border-collapse: collapse; color: #cccccc; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">| </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><a href="http://camilla-taylor.com/"><span class="Apple-style-span" style="color: white;">Camilla Taylor</span></a></span><span class="Apple-style-span" style="border-collapse: collapse; color: #cccccc; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><br /></span><span class="Apple-style-span" style="border-collapse: collapse; color: #cccccc; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><br /></span><span class="Apple-style-span" style="border-collapse: collapse; color: #cccccc; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">Curated by J. Frede</span><br />
<span class="Apple-style-span" style="border-collapse: collapse; color: #cccccc; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 16px;"><i><span class="Apple-style-span" style="font-size: xx-small;">*Names in white should be linked to their website, for your convenience.</span></i></span><br />
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<span class="Apple-style-span" style="color: #cccccc;">As the title says, the show will feature works on paper, so you should definitely get to see lots of drawings and prints. As I looked up the artists quickly, I grew a feeling that this was going to be filled with a lot of exciting works. Plus, some of the artists are CSULB alumni, so there is no reason not to go and support them! </span><br />
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<span class="Apple-style-span" style="color: #cccccc;">facebook page:</span><br />
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<span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">POPUP PROJECTS GALLERY </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">@ Namaste Highland Park</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">5118 York Blvd, Highland Park, 90042</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">namastehighlandpark.com</span></span><br />
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<span class="Apple-style-span" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #cccccc;">work by James Boulton</span></span></div>
<br />Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com1tag:blogger.com,1999:blog-1130621650055925966.post-41761176471502816932013-09-09T18:19:00.000-07:002013-09-09T18:19:22.988-07:00Jamie Sweetman's Exhibition - "Symmetries" at the Stone Rose Gallery<div class="separator" style="clear: both; text-align: center;">
<span style="color: #b45f06;">Jamie Sweetman's exhibition <i>Symmetries</i> opened on Saturday evening at the Stone Rose Gallery in downtown Long Beach, California. Located at 342 East 4th Street, it will run until October 5th, 2013. Gallery hours are Wednesdays & Thursdays, from noon - 6 PM, & Fridays & Saturdays, from noon - 7 PM. </span></div>
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<span style="color: black;"><span style="color: black;"><span style="color: #b45f06;">I feel such an intense artistic connection to these works...even down to the fact that we share some of the same titles (<i>Bleeding Heart </i>comes immediately to mind). Like Jamie, I'm also preoccupied with making visible that which lies beneath the flesh's surface, & although our mediums are quite different, I completely relate to her assured handling of simple drawing materials. In her competent hands, colored pencils, water soluble crayon, & gouache layer together on Mylar to create poetic amalgams of bone, synapse, & muscle that often combine with floral or pelagic entities. Symmetry is of course inherent, but beyond that, Jamie's work is (as theorist James Elkins elegantly phrases it) pure "visceral seeing." </span></span></span></div>
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<span style="color: black;"><span style="color: black;"> </span> </span><span style="color: black;"> </span> <img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwp4tcIlKCSzrfO_Dv_QWGIVYOJr3qhAP7Tv3acJvXQDbmniPBqZiWCCEQl20Qp15AE58hyB8wIzRVbPykt8oE5qPbimAl_H4M368J9wsyLvMdDLXPzmYhvwbl4AWf0-v8HlMpJb4JMPM/s320/Jamie1.jpg" width="229" /></div>
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<br />Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-62394835681037904482013-05-18T21:28:00.000-07:002013-05-18T21:32:13.440-07:00<div class="separator" style="clear: both; text-align: center;">
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<span class="Apple-style-span" style="line-height: 32px;"><i><b>Dirk
Hagner: Deep Cuts</b></i></span></div>
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<span class="Apple-style-span" style="line-height: 32px;"><b>A review by Bevis Hari</b></span></div>
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<span class="Apple-style-span" style="line-height: 32px;">The exhibition runs until 5/28/2013</span></div>
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<span style="mso-tab-count: 1;"> </span><i style="mso-bidi-font-style: normal;">Dirk Hagner: Deep Cuts</i>, found inside
Biola University’s library, features breath-taking prints done by artist Dirk
Hagner. Walking inside the library for the first time, one is greeted with
large-scale woodcuts mounted on the walls. Beautiful prints over twenty by forty inches in size are framed, while the original wood block used in the process hangs next
to them.</div>
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<span style="mso-tab-count: 1;"> </span>The
artist’s main subject is portraying prominent people known throughout the
course of history. Although most of his prints depict simply faces, Hagner
successfully gives a dramatic look and pose to each. For instance, Hagner’s <i style="mso-bidi-font-style: normal;">Tilman Riemenschneider</i> (2002) shows the
prolific German woodcarver curiously looking off into the distance. It is
apparent that this was done using the suicide cut method. One side of the
composition is dominated by shadow, and the background is composed by a vertical
textured pattern that mimics the look of etched marks. In fact, what I find to be
my favorite feature amongst the prints by Hagner is the obvious display of "chatter" marks. Its as if he intended not to be too careful about his mark making,
however still keeping every details with the different width of the various gouges.
One can also recognize that Hagner paid attention to light, as each of his
prints assumes one light source that directs the lighting and shading. All these
elements combine to create successful and dramatic composition within each print.</div>
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<span style="mso-tab-count: 1;"> </span>I
have seen a few woodcut prints that are magnificent, but not as iconic as Dirk
Hagner’s. The consistency in style and subject matter amongst his prints makes
him a successful printmaking artist. There is no doubt that Biola University
chose the right artist to represent art in printmaking.<a href="" name="_GoBack"></a> </div>
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<br />Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-90879389796084022192012-10-03T15:00:00.001-07:002012-10-03T15:00:40.771-07:00Ed Ruscha: "Standard," at The Los Angeles County Museum of Art<div class="separator" style="clear: both; text-align: center;">
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<span class="Apple-style-span" style="font-size: x-small;">Ed Ruscha, USA, <i>Standard Station</i>, 1966, Screenprint </span><br />
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<span class="Apple-style-span" style="font-size: x-small;">Ed Ruscha,<i> </i>USA, <i>Hollywood</i>, 1968, Screenprint</span><br />
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"Ed Ruscha's influence can be seen in graphic design, cinema, architectural theory, and urban history. His art depicts everyday objects – gas stations, street signs, billboards, commercial packaging – yet often triggers philosophical reflection about the relationship between words, things, and ideas. The word “standard” is a case in point: it can be a banner or rallying point, an established level of quality, and an oil company’s brand name. In his depictions of Standard stations, Ruscha points to each of these definitions and more. LACMA's collection includes more than 300 works by Ruscha." LA County Museum Website<br />
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This current exhibition will run until 1/21/2013, with a film & a lecture about the show happening on Friday, 10/26 in LACMA's Bing Theater at 7:30 PM. Titled, <i>The Intersection of Art & Film, </i>the lecture includes <i>Mad Men</i> creator Matt Weiner, film historian, critic & curator Elvis Mitchell, and Britt Salvesen, LACMA curator and department head of prints and drawings, for a discussion about the interplay of art and film in conjunction with the exhibition. A screening of Ed Ruscha’s short films <i>Premium </i>(1971/24 min.) and <i>Miracle </i>(1975/28 min.) will follow.<br />
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The cost is $14 for students with valid student ID's; for tickets call: 323 857-6010 or purchase online from the Museum's website.Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-8647042702516396382012-10-03T14:29:00.002-07:002012-10-03T14:30:53.991-07:00Dirk Hagner at the L.A. Print Fair<div class="separator" style="clear: both; text-align: center;">
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“Dirk Hagner’s large scale woodcuts have long addressed his interest in artists, poets, writers, and actors – always with some very personal fascination. These people are celebrities – although, some are rather obscure. There is inherent romanticism in Hagner’s work, which, perhaps, is not surprising for an heir of German expressionism: Hagner believes in magic. He subscribes to the moment of illumination – or transcendence – when a work of art gets inside of you, and you feel euphoric. It would be a mistake to perceive Hagner’s homage’s as analogous to Warhol’s celebrity worship. One of Hagner’s portraits in this show is of German printmaker Horst Janssen; Hagner’s interest as an artist is akin to a man’s interest in his forebears.” - Christopher Michno</div>
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Area artist Dirk Hagner will be both presenting his work and giving two talks about his imagery at the LA Printers Fair, in the International Printing Museum's Front Gallery at 11am and 2pm on October 6, 2012. Other work may also be seen at his booth, #B50. The address is 315 West Torrance Blvd., Carson, CA. The phone number (should you need further information on the fair) is: 310/515-7166.<br />
<br />
You can purchase tickets on-line for the fair, by using Paypal & going to www.printmuseum.org/printersfair/. The fair will run from 9 - 5 PM, & is a one day only affair, and tickets cost $6.00. Their web-site recommends parking across the street in the K-Mart shopping center lot. Hopefully, they've worked this out in advance with K-Mart.Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-43377171674027944532012-10-01T12:24:00.001-07:002012-10-01T12:24:09.223-07:00Oscar Cueto - "Solitude," Walter Maciel Gallery<div class="separator" style="clear: both; text-align: center;">
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This exhibition closes on 10/27/12. The Maciel Gallery is located at 2642 South La Cienega Blvd., Los Angeles. Hours of operation are from 11 - 6 PM, Tuesday - Saturday, call 310/839-1840 for further information. I've included a description of the watercolor color drawings by Mexico City based artist Oscar Cueto from the official Press Release.<br />
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"Oscar Cueto will present 18 small format drawings executed in watercolor and based on different symmetrical patterns and shapes found in the Rorschach psychological tests. The stains are cleverly placed within landscapes taken from photographs of Cueto’s travels including city streets, urban parks and the ocean. The mysterious blots become monstrous creatures that create a fantasy of terror for the impending peaceful scenery. In one drawing a young boy is shown walking down a curvy path of a public park only to be greeted by the perfectly placed Rorschach monster. Depending on how the blot is interpreted, it looks both like a tree (in keeping with the surrounding forest) and a grotesque beast with flailing arms and feet. In another drawing the Rorschach stain is placed above the horizon line of the ocean appearing like a bat flying into the moody sky. In all of the drawings, the psychology of the ink blot forms is reversed as they themselves become the horror that impends on the otherwise serene and peaceful quality of each landscape. The series continues Cueto’s morose fascination with American horror films and their celebrity subjects as well as the demented capabilities of the human mind all within a humorous intent."<br />
<br />Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-47744176223801653152012-09-30T21:17:00.000-07:002012-09-30T21:17:32.673-07:00James Whistler, LA County Museum of Art<h2>
<b>James Whistler, USA - A Review by Kris Westreich</b></h2>
<h2>
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<span class="Apple-style-span" style="font-size: x-small;"> <i>Nocturne - Palaces</i>, etching, 1879</span><br />
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The prints in this exhibition were
wonderful. They allowed the viewer to trace his artistic development
through his etchings. At the beginning, things were tightly rendered and
detail-filled. Towards the end, the prints tend to describe through suggestion rather
than detail. One thing I saw that I never considered was the way Whistler used the plate tone to establish value. He will leave more plate tone in an area
that he wants to be darker and wipe out others that he wants to be lighter. In
this way he challenges the idea of a print having to be exactly the same each
time. My two favorites of the exhibition were “Nocturne: Palaces” and “Weary.” They both tend to put more detail in certain parts of the print, and leave
others as merely outlines or as indications rather than full-blown
descriptions.<span style="mso-spacerun: yes;"> </span>Some of them almost
approach an abstract emptiness, such as in “Old Battersea” bridge. Of course,
the draftsmanship present is also very accomplished in these etchings.</div>
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<span class="Apple-style-span" style="font-size: x-small;"><i>Under Old Battersea Bridge</i>, etching and drypoint, 1879</span>Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0tag:blogger.com,1999:blog-1130621650055925966.post-41719458759390700922012-09-30T19:24:00.001-07:002012-09-30T19:39:58.016-07:00The German Woodcut: Renaissance and Expressionist Revival<div class="separator" style="clear: both; text-align: center;">
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<span class="Apple-style-span" style="font-size: x-small;">Ernst Ludwig Kirchner, Geramny, 1909, Woodcut, <i>Bathers Tossing Reeds</i></span><br />
<span class="Apple-style-span" style="font-size: x-small;"><i><br /></i></span>
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<b>May 5, 2012–September 9, 2012, LA County Museum of Art</b><br />
<b>A Review by Kris Westreich</b><br />
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<span class="Apple-tab-span" style="white-space: pre;"> </span>I thought this exhibition was particularly successful. Not only was the quality of the work superb, but also the way they displayed it demonstrated the distinctly German characteristics of these modern artists. By displaying those prints next to German Renaissance artists, the exhibition links together the traditions of the medium across generations. I was particularly taken with Kirchner's prints<i> Bathers Tossing Reeds </i>and<i> Portrait of Ludwig Schames </i>as well as the Kollwitz prints.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf2VvtCf0vL0-b2lGf4giicBCZz1zZfxB8MpTGJR_OzkT1MYuw02ulCOCMOw41QQG2Jd7Ja_gI8iBhOgaqheVRUk7D0IYTNGOBDi2eIEipxwk9bD9syIAk_Js0ZyI8pu1sCHZ4cdJft1Q/s1600/10_-_hans.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf2VvtCf0vL0-b2lGf4giicBCZz1zZfxB8MpTGJR_OzkT1MYuw02ulCOCMOw41QQG2Jd7Ja_gI8iBhOgaqheVRUk7D0IYTNGOBDi2eIEipxwk9bD9syIAk_Js0ZyI8pu1sCHZ4cdJft1Q/s320/10_-_hans.jpg" width="320" /></a></div>
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Hans Baldung Grien, Germany, Woodcut, 1534, <span class="Apple-style-span" style="font-style: italic;">Stallion and Kicking Mare with Wild Horses</span></div>
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Technically, it was interesting to note the difference between the modern and renaissance artists. The old master prints tend to lean more towards chiaroscuro and graduated value distribution. In order to achieve that, the artists had to work on minute details, such as in <i>Stallion and Kicking Mare with Wild Horses</i> by Hans Baldung Grien.</div>
Hand Printershttp://www.blogger.com/profile/06761686800613582002noreply@blogger.com0