Work by my former student Sarah Whorf is currently gracing the walls of the Knight Gallery, near where she works, lives & whittles in beautiful Eureka, California. Sponsored by the Humboldt Arts Council, the exhibition will run until 10/9/2011. The gallery address is: Knight Gallery, Morris Graves Museum of Art, 636 F Street, Eureka. The hours are Thurs. - Sun., noon - 5 PM, the phone # is: 707/442-0278, & the organization's URL: www.humboldtarts.orgTuesday, September 6, 2011
Sarah Whorf Exhibition
Work by my former student Sarah Whorf is currently gracing the walls of the Knight Gallery, near where she works, lives & whittles in beautiful Eureka, California. Sponsored by the Humboldt Arts Council, the exhibition will run until 10/9/2011. The gallery address is: Knight Gallery, Morris Graves Museum of Art, 636 F Street, Eureka. The hours are Thurs. - Sun., noon - 5 PM, the phone # is: 707/442-0278, & the organization's URL: www.humboldtarts.orgSaturday, September 3, 2011
Linda Day Memorial Service
Friday, August 12, 2011
Joseph Lupo's Take...Comic Relief?
Joe Lupo, who teaches printmaking at West Virginia University in Morgantown created this sadbuttrue 3 panel strip in the style of the late underground comic book writer Harvey Pekar. If you click on the image, it should enlarge enough to reveal the text. Hey now, we obsessive compulsive types have to be able to channel our energies in some harmless way! At least the majority of us (besides being gregarious) have an appreciation for the ludicrous & amusing.
Thursday, August 11, 2011
Internship at Bergamot Station - ASAP
Tuesday, August 2, 2011
Energy Exhibition - More Shameless Self-Promotion
I'm not certain which works by powerhouse Sean will be in the exhibition, but I'd guess something visually tasty, such as the above, titled Fire Horn, a mezzotint form 2005, might just be in the offing. The image below is from my hand, a woodcut/litho combo titled Perihelion/Aphelion. The Shanghai Museum of Art has a gallery of Qing dynasty paper currency, many of which incorporate the techniques of woodcut or engraving. Enthralled, I did small sketches in the gallery, one of which eventually became this print. I was interested in playing with not only ornamental pattern and decoration, but also with symmetrical duplication of the solar image that appears on many of the banknotes. I wanted to translate the nervous line energy from the sketch into the larger print, and to see if I could compositionally sequence the image in time through composing multiple inversions of it.Thursday, July 28, 2011
Hand Pulled: The Complete Shag Print Collection (July 2 – August 14, 2011)
This comprehensive survey dating 1999 to the present will bring more than 250 limited edition serigraphs, etchings and pigment prints created by Orange County artist Josh Agle aka SHAG to Grand Central Art Center. In conjunction with this exhibition Shag and Watermark Printmaking, located at GCAC, will also collaborate on a new etching available for purchase in the GCAC Sales Gallery. Other Shag merchandise will also be available for purchase.
Grand Central Art Center will also be collaborating with SHAG on a limited edition poster with proceeds from the sale benefiting Japan relief efforts.
Opening Reception: Saturday, July 2, 7:00-10:00 p.m.
*Book and poster signing only 6:00-7:00 p.m.
Closing Reception: Saturday, August 6, 7:00-10:00 p.m.
*Merchandise signing 6:00-7:00 p.m.
CSUF Grand Central Art Center
125 N. Broadway Santa Ana, CA 92701
General Phone: 714.567.7233
Fax: 714.567.4145
Sunday, June 19, 2011
Father's Day Entry - June Gloom is a Wonderful Thing
My first spot of something that had everything I want in the way of a "collectable" were the 2 hairdressing/barber signs below. The proprietor of the stall must have been off to the rest room, so I couldn't put my evaluation of these wonderful paintings to him or her, but I'm guessing that they were made by Joel Adjame of the Ivory Coast, or created by someone who has gotten his style down pat. (An adherent of the "Adjame School,"one might surmise.) I base my assessment on the use of a white background, simplification of style, placement of text, profile format, & the use of linear heart-shaped enclosures around each head depicted. Of course, I'm certainly no expert in these matters, as my only 1st-hand experience with this art form was merely having had the good fortune to view the exhibition at the Fowler Museum (back in '95), titled: "Crowning Achievements: The African Arts of Dressing Hair." A knock out!



