This old gal is our Fuchs & Lang lithographic press, one of 5 litho presses in the shop. If you look closely, you can see the tiny altar Brent Bond made to honor Alois Senefelder, located to the left of the sign-up sheets. Students traditionally leave offerings on it before printing editions...Nissin instant noodle bowls or chocolate Pocky biscuit sticks seem the most efficacious among them, although I'd have thought bratwurst, braunschweiger & St. Pauli Girl more to the taste of the gent in question. Mind you, I'm not advocating drinking alcohol or eating greasy animal by-products in the shop.
In an orderly phalanx are our letterpress options, which we use mainly for printing type-high relief blocks. While we do have some lead & wooden type faces, they are mainly display fonts - not terribly suited to setting prose or poetry. There are 2 identical Vandercook proofing presses, one much adored "Showcard" press and an ancient beast of questionable parentage.
The big Takach press, stands shining-fairly-new in front of a vintage Charles Brand etching press. We also have 2 hotplates on this side of the shop, handy when wiping etching plates or cutting linoleum.
Back in the early Pleistocene, when I was a student at the University of Iowa, we used to (horrors) re-heat food on these things. Unlike the hotplates in the CSULB studios, those Iowa versions had a thick murky layer of ink covering them. I like to think that all those tasty carcinogens added a little special flavor to a slice of pizza. (We did use tin foil...)
The wee motorized Charles Brand etching press was one I hauled up the hill from a since defunct program called something like "Technology Education," & another old soul we call "the big wheel press," which was formerly known as the "star wheel press," is located in front of it. The newer of the 2 hotplates (a Takach) is in this photo. More pixs to follow after I get my "Keynote" presentation on screenprinting made for class on Friday.