Above - Linda Day's studio space.
These two tandem exhibitions at the UAM beautifully complement each other, in terms of abstraction and color certainly, but also in terms of materiality & perception. If I were to make a musical analogy, Wilson's cool and structural offerings would be akin to David Hykes' harmonic investigations, especially in terms of layering form and structure. Linda's presence is so strongly in her work, as Chris Miles observed, "...in the bit-streams, blobs, piles and upwellings; and in the stray words that turn up in her last works - I realize that as Day transubstantiated being into painting, she always had a goal of freshly addressing something with which she grappled."
There are a number of works on paper or Duralar - in Linda's work, mainly in terms of gouache and pencil, whereas Patrick Wilson used screen-printing in a group titled: Suite for Mt. Washington, from 2007. When we (printmakers) physically make a print, especially a screen-print, we call it "pulling" an edition, and I couldn't help but wonder if that term influenced the description of his painterly investigations.
It was wonderful seeing so many of Linda's former students, colleagues and friends at the opening. A big shout-out to curator Kristina Newhouse for yeoman's duty in writing, organizing, & researching for both offerings. These shows run until 12/9. The University Art Museum is closed on Mondays, hours, parking and directions can be had by calling them directly at: 562/985-5761.